User manual ROLAND VS-2000 APPENDICES

[. . . ] Appendices Before using this unit, carefully read the sections entitled: "USING THE UNIT SAFELY" (Owner's Manual p. These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner's Manual, and Appendices should be read in its entirety. The manual should be saved and kept on hand as a convenient reference. Copyright © 2003 ROLAND CORPORATION All rights reserved. [. . . ] Sets the amount of the right-side chorus sound should be returned to the right chorus input. Sets the amount of the left-side chorus sound should be returned to the right chorus input. Sets the amount of the right-side chorus sound should be returned to the left chorus input. Sets the width of the area around the low frequency that will be affected by the gain settings. *2 Sets the type of the low frequency band equalizer (Shlving type or peaking type). Sets the width of the area around the middle frequency that will be affected by the gain settings. Sets the width of the area around the High frequency that will be affected by the gain settings. *2 Sets the type of the High frequency band equalizer (Shlving type or peaking type). 0. 1­10. 0 kHz Sets the rate of modulation. Algorithm List Lch CrossFeedbackLvl (Lch Cross-Feedback Level) -100­100 Rch CrossFeedbackLvl (Rch Cross-Feedback Level) -100­100 FX Lvl (Effect Level) DirLvl (Direct Level) -100­100 -100­100 On, Off -12­ +12 dB 20 - 2000 Hz 0. 3­10. 0 Shlv, Peak -12­ +12 dB 0. 3­10. 0 -12­ +12 dB 0. 3­10. 0 Shlv, Peak 0­100 EQ (Equalizer) Sw (Switch) Low Gain (Low Gain) Low Freq (Low Frequency) Low Q Low Type Mid Gain (Middle Gain) Mid Freq (Middle Frequency) Mid Q (Middle Q) High Gain High Freq (High Frequency) High Q Hi Type (High Type) Level (Output Level) 200­8000 Hz Sets the center frequency in the middle frequency band. 1. 4­20. 0 kHz Sets the center frequency in the High frequency band. *1: The sum of the Delay Time (Time) value and the Delay Shift (Shift) value should not exceed the setting range of Delay Time. For example, if the delay time is set to 300 ms, the setting range of Delay Shift is L200 to R200 ms. *2: If Lo Type (Low Type) or Hi Type (High Type) is set to "Shlv (Shlving Type), " the setting for Lo Q or High Q is invalid. 31 Algorithm List Chorus RSS RSS (p. The sound image is defined with the sound from the left-side channel located at left 90° and the sound from the right-side channel at right 90°. fig. 08-22 Input L Direct Level Output L RSS Chorus RSS Input R Direct Level Output R · · Location is fixed; no azimuth or elevation can be specified. 38). Parameter (full name) ChoRSS (Chorus RSS) Rate (Chorus Rate) Depth (Chorus Depth) FX Lvl (Effect Level) DirLvl (Direct Level) Phones (Phones) *1 Setting 0. 1­10. 0 Hz 0­100 -100­100 -100­100 Off, On Function Sets the rate of modulation. Set to On when you use headphones Set to Off when you use speakers *1 : Locates chorus sounds three-dimensionally. Refer to the column "Precautions for using RSS" (p. 38). Space Chorus This is a chorus effect simulating Roland SDD-320. The effect to be changed can be reproduced by turning the four buttons 1 to 4 on or off. fig. 08-51 Input L Space Chorus Input R Output L Output R Parameter (full name) Spcho (Space Chorus): Sw (Switch) InMode (Input Mode) Mode (Space Mode) MixBal (Mix Balance) Setting On, Off Mono, Stereo Function Turns the space chorus on or off. Sets the volume balance between the chorus sound and the direct sound. Adds a chorus effect simulating SDD-320. 1, 2, 3, 4, 1+4, 2+4, 3+4 0­100 32 Stereo Phaser A phaser adds a phase-shifted sound to the direct sound, producing a twisting modulation that creates spaciousness and depth. fig. 08-36 Input L Phaser L 3BAND EQ Output L Phaser R Input R 3BAND EQ Output R Phaser and Flanger The effects obtained with Phaser and Flanger are very similar. Both add twisting modulation effects to the sound, creating spaciousness and depth. In other words, they create something like strongly accentuated chorus. Besides that, it can create SE-type sounds like ascending/descending sounds of a jet. Parameter (full name) Phs (Phaser): Sw (Switch) Mode (Mode) Pol (Polarity) Rate (Rate) Depth (Depth) Manual (Manual) Reso (Resonance) CrossFBLvl (Cross-Feedback Level) FX Lvl (Effect Level). DirLvl (Direct Level) Setting Off, On 4, 8, 12, 16 Sync, Inv 0. 1­10. 0 Hz 0­100 0­100 0­100 0­100 -100­100 -100­100 On, Off -12­ +12 dB 20 - 2000 Hz 0. 3­10. 0 Shlv, Peak -12­ +12 dB 200­8000 Hz 0. 3­10. 0 -12­ +12 dB 1. 4­20. 0 kHz 0. 3­10. 0 Shlv, Peak 0­100 Function Turns the phaser on or off. Sets the reference frequency for adding the surging effect to the sound. [. . . ] Ad Lib Synth Lead Ep Keyboard Clav Fem Harmony Left Fem Harmony Right Bass Guitars Drums Left Drums Right Percussion Left Percussion Right Girls Left Girls Right Rap Dbl Left Rap Dbl Right Rap Break Left Rap Break Right LOCATOR (BANK 1) Locate 01 Locate 02 Locate 03 Locate 04 Locate 05 Locate 06 Locate 07 Locate 08 Chorus Intro Drums Start First Verse 2nd Verse Chorus Break & Scratch 3rd Verse Locate 09 Locate 10 Locate 11 Locate 12 Locate 13 Locate 14 Locate 15 Locate 16 Chorus Oh Baby Break Scene 01 Scene 02 Scene 03 Scene 04 Scene 05 Scene 06 Scene 07 Scene 08 2 3 4 5 Female Vocal Male Vocal Fem. Ad Lib Synth Lead Ep Keyboard Clav Fem Harmony Left Fem Harmony Right Bass Guitars Drums Left Drums Right Percussion Left Percussion Right Girls Left Girls Right Rap Dbl Left Rap Dbl Right SCENE (BANK 1) Shortened Intro (Default Scene) Original Intro w/ Spoken Vocal 6 7 8 9 10 11 12 13 14 15 16 Project Name: "WITH ME" Written by Nicole McKenna and Saul Zonana Copyright ©2003 20/20 Music V-Tracks 1 1 2 3 4 5 6 7 8 Tracks 9 10 11 12 13 14 15 16 17 18 Acoustic Guitars Mix Bass Strings Guitar Comp Mix Background Vocals Mix Lead Vocal Kick Snare Hi Hat Rack Mix Overheads Mix Room Mic Loop LOCATOR (BANK 1) Intro Locate 09 Verse 1 Locate 10 Lift 1 Locate 11 Chorus 1 Locate 12 Verse 2 Locate 13 Lift 2 Locate 14 Chorus 2 Locate 15 Breakdown Locate 16 SCENE (BANK 1) Lift 3 Guit. Solo Lift Harm Verse 2 Harm Lift 2 Harm Chorus 2 Harm Lift 3 Harm Scene 01 Scene 02 Scene 03 Scene 04 Scene 05 Scene 06 Scene 07 Scene 08 Mix with MTK Send/ Rt FX Guitar Solo w/ COSM Effect Acoustic Intro 16 Track Composite Instrumental Mix (no vocals) Default Mix HARMONY FX Takamine Strum Takamine Pick 2 3 4 5 6 7 8 9 10 Acoustic Guitars Mix Bass Strings Guitar Comp Mix Background Vocals Mix Lead Vocal Kick Snare Hi Hat OH / Room Mix Acoustic Guitar Mix Guitar Solo Guitar Solo Alt Lead Vocal Edit 11 12 13 14 15 16 About the Demo Performances Locate 01 Locate 02 Locate 03 Locate 04 Locate 05 Locate 06 Locate 07 Locate 08 103 SPECIFICATIONS VS-2000CD Digital Studio Workstation Tracks Tracks: V-Tracks: 44. 1 kHz Linear 24 bits (M24) Linear 16 bits (M16) CD Writing (CDR) (*) (*) Master tracks only Maximum Simultaneous Recording / play back Tracks 8 tr. Play (M24) * Depending on the organization of the song data, the disk drive performance, etc. , the number of tracks that can be simultaneously recorded or played back may be limited. [. . . ]