User manual ROLAND VE-GS PRO MIDI IMPLEMENTATION V1.00
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ROLAND VE-GS PRO MULTI-EFFECTS PARAMETER CHART (2692 ko)
Manual abstract: user guide ROLAND VE-GS PROMIDI IMPLEMENTATION V1.00
Detailed instructions for use are in the User's Guide.
[. . . ] VE-GS Pro
MIDI Implementation
MIDI Implementation
The VE-GS Pro implements additional functionality and parameters over and above the SC-88, which itself was an expansion of the GS sound source format. If MIDI messages marked by a [Pro] symbol are transmitted to another GS format sound source or to the SC-88, those messages may not be recognized. Also, functions and parameters which were added to the SC-88 over and above previous GS format sound sources are marked by an [88] symbol.
Model VE-GS Pro Version 1. 00 '99. 3
r Modulation (Controller number 1) Status 2nd byte 3rd byte BnH 01H vvH n = MIDI channel number vv = Modulation depth : 0H-FH (ch. 1-ch. 16) : 00H-7FH (0-127)
Section 1. Receive data
s Channel Voice Messages
q Note off Status 2nd byte 8nH kkH 9nH kkH
* Not received when Rx. MODULATION = OFF. [. . . ] When you select the reverb type with REVERB MACRO, each reverb parameter will be set to the most suitable value. The value of REVERB CHARACTER corresponds to the REVERB MACRO of the same number. * In MODE-2 (Double module mode), REVERB PREDELAY TIME cannot be used.
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VE-GS Pro
MIDI Implementation
Address(H) 40 01 38
Size(H) 00 00 01
Data(H) 00 - 07
40 01 39 40 01 3A 40 01 3B 40 01 3C 40 01 3D 40 01 3E 40 01 3F 40 01 40
00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01
00 - 07 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F
Description 00: Chorus 1 01: Chorus 2 02: Chorus 3 03: Chorus 4 04: Feedback Chorus 05: Flanger 06: Short Delay 07: Short Delay(FB) CHORUS PRE-LPF 0-7 CHORUS LEVEL 0-127 CHORUS FEEDBACK 0-127 CHORUS DELAY 0-127 CHORUS RATE 0-127 CHORUS DEPTH 0-127 CHORUS SEND LEVEL TO REVERB 0-127 CHORUS SEND LEVEL TO DELAY[88] 0-127
Parameter CHORUS MACRO
Default Value (H) 02
Description Chorus 3
00 40 08 50 03 13 00 00
0 64 8 80 3 19 0 0
* CHORUS MACRO is a macro parameter that allows global setting of chorus parameters. When you use CHORUS MACRO to select the chorus type, each chorus parameter will be set to the most suitable value. * In MODE-2 (Double module mode), CHORUS SEND LEVEL TO DELAY cannot be used. 40 01 50 00 00 01 00 - 09 [88] 00: Delay 1 01: Delay 2 02: Delay 3 03: Delay 4 04: Pan Delay 1 05: Pan Delay 2 06: Pan Delay 3 07: Pan Delay 4 08: Delay to Reverb 09: Pan Repeat DELAY PRE-LPF [88] 0 - 7 DELAY TIME CENTER [88] 0. 1ms - 1sec [88] 4 - 500% DELAY TIME RATIO LEFT DELAY TIME RATIO RIGHT [88] 4 - 500% DELAY LEVEL CENTER [88] 0 - 127 DELAY LEVEL LEFT [88] 0 - 127 DELAY LEVEL RIGHT [88] 0 - 127 DELAY LEVEL [88] 0 - 127 DELAY FEEDBACK [88] -64 - +63 DELAY SENDLEVEL TO REVERB [88] 0 - 127 DELAY MACRO 00 Delay1
40 01 51 40 01 52 40 01 53 40 01 54 40 01 55 40 01 56 40 01 57 40 01 58 40 01 59 40 01 5A
00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01
00 - 07 01 - 73 01 - 78 01 - 78 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F
00 61 01 01 7F 00 00 40 50 00
0 340 4 4 127 0 0 64 +16 0
* DELAY MACRO is a macro parameter that allows global setting of delay parameters. When you use DELAY MACRO to select the delay type, each delay parameter will be set to the most suitable value. * The relation between the DELAY TIME CENTER value and the actual delay time is as follows. DELAY TIME 01 - 14 14 - 23 23 - 2D 2D - 37 37 - 46 Time Range[ms] 0. 1 - 2. 0 2. 0 - 5. 0 5. 0 - 10. 0 10. 0 - 20. 0 20. 0 - 50. 0 Resolution[ms] 0. 1 0. 2 0. 5 1. 0 2. 0 DELAY TIME 46 - 50 50 - 5A 5A - 69 69 - 73 Time Range[ms] 50. 0 - 100. 0 100. 0 - 200. 0 200. 0 - 500. 0 500. 0 - 1000. 0 Resolution[ms] 5. 0 10. 0 20. 0 50. 0
* DELAY TIME RATIO LEFT and DELAY TIME RATIO RIGHT specify the ratio in relation to DELAY TIME CENTER. 40 02 00 40 02 01 40 02 02 40 02 03 00 00 01 00 00 01 00 00 01 00 00 01 00 - 01 34 - 4C 00 - 01 34 - 4C EQ LOW FREQ. EQ HIGH GAIN [88] [88] [88] [88] 200Hz, 400Hz -12 - +12dB 3kHz, 6kHz -12 - +12dB 00 40 00 40 200Hz 0 3kHz 0
* In MODE-2 (Double module mode), EQ (Equalizer) cannot be used.
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VE-GS Pro
MIDI Implementation
Address(H) 40 03 00 40 03 01# 40 03 03 40 03 04 40 03 05 40 03 06 40 03 07 40 03 08 40 03 09 40 03 0A 40 03 0B 40 03 0C 40 03 0D 40 03 0E 40 03 0F 40 03 10 40 03 11 40 03 12 40 03 13 40 03 14 40 03 15 40 03 16
Size(H) 00 00 02
Data(H) 00 - 7F
Parameter EFX TYPE
[Pro]
Default Value (H) 00 00
Description 00: Thru
00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01
00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F
EFX PARAMETER 1 EFX PARAMETER 2 EFX PARAMETER 3 EFX PARAMETER 4 EFX PARAMETER 5 EFX PARAMETER 6 EFX PARAMETER 7 EFX PARAMETER 8 EFX PARAMETER 9 EFX PARAMETER 10 EFX PARAMETER 11 EFX PARAMETER 12 EFX PARAMETER 13 EFX PARAMETER 14 EFX PARAMETER 15 EFX PARAMETER 16 EFX PARAMETER 17 EFX PARAMETER 18 EFX PARAMETER 19 EFX PARAMETER 20
[Pro] [Pro] [Pro] [Pro] [Pro] [Pro] [Pro] [Pro] [Pro] [Pro] [Pro] [Pro] [Pro] [Pro] [Pro] [Pro] [Pro] [Pro] [Pro] [Pro]
* Reading EFX TYPE and EFX PARAMETER please refer to page 35, 98 Address(H) 40 03 17 40 03 18 40 03 19 40 03 1B 40 03 1C 40 03 1D 40 03 1E 40 03 1F Size(H) 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 Data(H) 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F Parameter EFX SEND LEVEL TO REVERB EFX SEND LEVEL TO CHORUS EFX SEND LEVEL TO DELAY EFX CONTROL SOURCE1 EFX CONTROL DEPTH1 EFX CONTROL SOURCE2 EFX CONTROL DEPTH2 EFX SEND EQ SWITCH Description 0-127 0-127 0-127 Off, CC1-95, CAf, Bend -100 - 0 - +100 [%] Off, CC1 - 95, CAf, Bend -100 - 0 - +100 [%] OFF/ON Default Value (H) 28 00 00 00 40 00 40 01 Description 40 0 0 Off 0 (%) Off 0 (%) ON
[Pro] [Pro] [Pro] [Pro] [Pro] [Pro] [Pro] [Pro]
* EFX TYPE is a macro parameter which sets various Insertion Effect parameters as a group. When you use EFX TYPE to select an Insertion Effect type, the various effect parameters will be set to appropriate values. * In MODE-2 (Double module mode), EFX SEND TO DELAY and EFX SEND EQ SWITCH cannot be used. * In the case of Mode 2 (Double Module Mode), the Insertion effect cannot be used for Parts with a CHANNEL MSG RX PORT (page 114) setting of PORT B. r Patch Part parameters The VE-GS Pro has 16 Parts in Group A and 16 Parts in Group B. Parameters that can be set individually for each Part are called Patch Part parameters. If you use exclusive messages to set Patch Part parameters, specify the address by Block number rather than Part Number (normally the same number as the MIDI channel). The Block number can be specified as one of 16 blocks, from 0(H) to F(H). To specify a Part of group A, use the Block number corresponding to the Part and specify an address of 40 ** ** via PORT A (normally MIDI IN A). To specify a Part of group B, use the Block number corresponding to the Part and specify an address of 40 ** ** via PORT B (normally MIDI IN B). To specify a Part of either group A or B from a single PORT, specify an address of 40 ** ** for group A Parts or an address of 50 ** ** for group B Parts when using PORT A. Conversely, to specify a Part of either group A or B from PORT B, specify an address of 50 ** ** for group A Parts or an address of 40 ** ** for group B Parts. [. . . ] <Example 2> Requesting transmission of the LEVEL for DRUM MAP 1 NOTE NUMBER 75 (D#5; Claves) NOTE NUMBER 75 (D#5) is 4BH in hexadecimal. According to the "Parameter Address Map, " LEVEL of NOTE NUMBER 75 (D#5; Claves) in DRUM MAP 1 has an Address of 41 02 4BH and a Size of 00 00 01H. address size checksum F7 (6)
(1) Exclusive Status, (4) Model ID (GS),
(2) ID (Roland), (5) Command ID(RQ1),
(3) Device ID (17), (6) End of Exclusive
q The Scale Tune Feature (address: 40 1x 40) The scale Tune feature allows you to finely adjust the individual pitch of the notes from C through B. Though the settings are made while working with one octave, the fine adjustments will affect all octaves. [. . . ]
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