User manual ROLAND SYSTEM-100-103

[. . . ] A value of 0 results in the fastest change. Data Entry (Controller number 6, 38) Status BnH BnH 2nd bytes 06H 26H 3rd byte mmH llH n = MIDI channel number: kk = note number: vv = note on velocity: * * Not received when Rx. NOTE MESSAGE = OFF. (Initial value is ON) For Drum Parts, not received when Rx. NOTE ON = OFF for each Instrument. n = MIDI channel number: 0H-FH (ch. 1-ch. 16) mm, ll = the value of the parameter specified by RPN/NRPN mm = MSB, ll = LSB Polyphonic Key Pressure Status AnH 2nd bytes kkH 3rd byte vvH 0H-FH (ch. 1-ch. 16) 00H-7FH (0-127) 00H-7FH (0-127) Volume (Controller number 7) Status BnH 2nd bytes 07H 3rd byte vvH 0H-FH (ch. 1-ch. 16) 00H-7FH (0-127), Initial Value = 64H (100) n = MIDI channel number: kk = note number: vv = key pressure: * * n = MIDI channel number: vv = Volume: * * Not received when Rx. POLY PRESSURE (PAf) = OFF. (Initial value is ON) The resulting effect is determined by System Exclusive messages. With the initial settings, there will be no effect. Volume messages are used to adjust the volume balance of each Part. [. . . ] Output level 0107: SPEAKER SIMULATOR Simulates the speaker type and mic settings used to record the speaker sound. No 1 Parameter Speaker Type # Value 0 - 15 Default (See the table. ) Description Type of speaker Adjusts the location of the mic that is recording the sound of the speaker. This can be adjusted in three steps, with the mic becoming more distant in the order of 1, 2, and 3. Volume of the microphone Volume of the direct sound Output Level 1 Filter Type 0-3 LPF, BPF, HPF, NOTCH 2 Mic Setting 0-2 1, 2, 3 2 Filter Slope 0-2 -12, -24, -36 dB 3 4 5 Mic Level Direct Level Level # 0 - 127 0 - 127 0 - 127 0-127 0-127 0-127 3 Filter Cutoff # Filter Resonance # Filter Gain Modulation Sw 0 - 127 0-127 4 5 6 0 - 100 0 - 12 0-1 0-127 0- +12 dB OFF, ON Specifications of each Speaker Type The speaker column indicates the diameter of each speaker unit (in inches) and the number of units. Type SMALL 1 SMALL 2 MIDDLE JC-120 BUILT-IN 1 BUILT-IN 2 BUILT-IN 3 BUILT-IN 4 BUILT-IN 5 BG STACK 1 BG STACK 2 MS STACK 1 MS STACK 2 METAL STACK 2-STACK 3-STACK Cabinet small open-back enclosure small open-back enclosure open back enclosure open back enclosure open back enclosure open back enclosure open back enclosure open back enclosure open back enclosure sealed enclosure large sealed enclosure large sealed enclosure large sealed enclosure large double stack large double stack large triple stack Speaker 10 10 12 x 1 12 x 2 12 x 2 12 x 2 12 x 2 12 x 2 12 x 2 12 x 2 12 x 2 12 x 4 12 x 4 12 x 4 12 x 4 12 x 4 Microphone dynamic dynamic dynamic dynamic dynamic condenser condenser condenser condenser condenser condenser condenser condenser condenser condenser condenser 7 Modulation Wave 0-4 TRI, SQR, SIN, SAW1, SAW2 8 9 10 11 12 13 Rate sync Rate Rate Depth Attack Level 0-1 1 - 127 0 - 21 0 - 127 0 - 127 0 - 127 Hz, note 0. 05-10. 00 Hz note (*1) 0-127 0-127 0-127 0110: OVERDRIVE Creates a soft distortion similar to that produced by vacuum tube amplifiers. No 1 Parameter Drive Value 0 - 127 Default 0-127 SMALL, BUILT-IN, 2-STACK, 3-STACK -15- +15 dB -15- +15 dB L64-63R 0-127 Description Degree of distortion Also changes the volume. Type of guitar amp SMALL: small amp BUILT-IN: single-unit type amp 2-STACK: large double stack amp 3-STACK: large triple stack amp Gain of the low range Gain of the high range Stereo location of the output sound Output Level 2 Amp Type # 0-3 3 4 5 6 Low Gain High Gain Pan Level # 0 - 30 0 - 30 0 - 127 0 - 127 22 MIDI Implementation 0114: GUITAR AMP SIMULATOR This is an effect that simulates the sound of a guitar amplifier. No 1 Parameter Pre Amp Sw Value 0-1 Default OFF, ON JC-120, CLEAN TWIN, MATCH DRIVE, BG LEAD, MS1959I, MS1959II, MS1959I+II, SLDN LEAD, METAL5150, METAL LEAD, OD-1, OD-2 TURBO, DISTORTION, FUZZ 0-127 0-127 LOW, MIDDLE, HIGH Description Turns the amp switch on/off. 0120: PHASER This is a stereo phaser. No 1 2 3 Parameter Mode Manual # Rate sync Rate # Rate Depth Value 0-2 0 - 127 0-1 1 - 127 0 - 21 0 - 127 Default 4-STAGE, 8STAGE, 12STAGE 0-127 Hz, note 0. 05-10. 00 Hz note (*1) 0-127 Description Number of stages in the phaser Adjusts the basic frequency from which the sound will be modulated. When this is set to "note, " the effect is synchronized with the tempo. Frequency of modulation (Hz) Frequency of modulation (note) Depth of modulation Selects whether the left and right phase of the modulation will be the same or the opposite. The flanger sound will be positioned 90 degrees left and 90 degrees right. No Parameter Value Default Description Type of filter OFF: No filter is used LPF: Cuts the frequency range above the Cutoff Freq HPF: Cuts the frequency range below the Cutoff Freq Basic frequency of the filter Adjusts the delay time from when the direct sound begins until the flanger sound is heard. When this is set to "note, " the effect is synchronized with the tempo. Frequency of modulation (Hz) Frequency of modulation (note) Depth of modulation Spatial spread of the sound Adjusts the proportion of the flanger sound that is fed back into the effect. Adjusts the method that will be used to hear the sound that is output to the OUTPUT jacks. The optimal 3D effect will be achieved if you select SPEAKER when using speakers, or PHONES when using headphones. Gain of the low range Gain of the high range Volume balance between the direct sound (D) and the flanger sound (W) Output Level 13 14 15 High Feedback 0 - 98 -98- +98 % D100:0WD0:100W 0-127 1 Filter Type 0-2 OFF, LPF, HPF 16 17 Balance Level 0 - 100 0 - 127 2 3 4 5 6 7 8 9 Cutoff Freq Pre Delay Rate sync Rate # Rate Depth # Phase Feedback 0 - 16 0 - 125 0-1 1 - 127 0 - 21 0 - 127 0 - 90 0 - 98 200-8000 Hz 0. 0-100. 0 ms Hz, note 0. 05-10. 00 Hz note (*1) 0-127 0-180 deg -98- +98 % 0121: AUTO WAH Cyclically controls a filter to create cyclic change in timbre. No Parameter Value Default Description Type of filter LPF: The wah effect will be applied over a wide frequency range. Adjusts the amount of the wah effect that will occur in the range of the center frequency. Sets the direction in which the frequency will change when the autowah filter is modulated. When this is set to "note, " the effect is synchronized with the tempo. [. . . ] Output Level 020a: FLANGER-->DELAY This effect connects a flanger and a delay in series. No 1 2 3 4 5 6 Parameter Flanger Pre Delay Flanger Rate sync Flanger Rate Flanger Rate Flanger Depth Flanger Feedback Flanger Balance # Delay sync Delay Time Value 0 - 125 0-1 1 - 127 0 - 21 0 - 127 0 - 98 Default 0. 0-100. 0 ms Hz, note 0. 05-10. 00 Hz note (*1) 0-127 -98- +98 % D100:0WD0:100W ms, note 1-2600 ms Description Adjusts the delay time from when the direct sound begins until the flanger sound is heard. When this is set to "note, " the effect is synchronized with the tempo. Frequency of modulation (Hz) Frequency of modulation (note) Depth of modulation Adjusts the proportion of the flanger sound that is fed back into the effect. [. . . ]