User manual ROLAND SYSTEM-100-102

[. . . ] 16bit 4bit MSB LSB 0000_0000_1011_0100B 0000_0000B 0000_0000B 0000_1011B 0000_0100B B4H 00H 00H 0BH 04H 3. (1) through (7) are set according to Roland's format for Exclusive(SysEX) messages. F0 41 00 00 23 12 08 01 2C (1) (2) (3) (4) (5) (6) ^^^^^^^^^^ (7) (1) Exclusive Status (2) Manufacture ID (Roland) (3) Device ID (DEV:00H - 1FH) (4) MODEL ID MSB (SYSTEM-100-102:00H) (5) MODEL ID LSB (SYSTEM-100-102:23H) (6) Common ID (DT1) (7) Address (8) Data (4bit nibbled, MSB first) (9) Checksum (10) End of Exclusive 4. (7) Address + (8) Data = 08H + 01H + 2CH + 00H + 00H + 0BH + 04H = 44H(sum) 8 + 1 + 44 + 0 + 0 + 11 + 4 = 68 68(sum) / 128 = 0(quotient). . . 68(remainder) checksum = 128 - 68(remainder) = 60 = 3CH 00 00 0B 04 ^^^^^^^^^^^^^^ (8) ??? [. . . ] Although individual data can be received at any time, be sure to appropriately describe the value for one parameter in one packet [F0. . . F7]. When a data request is to be received, use Bulk Load Ready in the utility. Parameters for which Size is 2 or higher should not be separated; make sure these are sent in the same packet. A Sound Change Request (SCR) is valid only for the Temporary Area (Bulk). To Change data in the Temporary Area(Bulk) using Exclusive(SysEx) messages, it is necessary to first send the parameter data, then send the data to the SCR address. (refer to Table37. [SCR]) Patch Write Request (PWR) is valid for User Patch and UTILITY MIDI PC MAP. If the unit recognize this message, the data of User Patch and UTILITY MIDI PC MAP are memorized. To memorize the data of User Patch and UTILITY MIDI PC MAP for Bulk/ Individual Area using Exclusive (SysEx) message, it is necessary to first send the parameter data, then send the data to the PWR. (refer to Table-38. [PWR]) For parameter marked with $, its type changes according to the setting of FX SELECT parameter. 5. 0 - 100 BPM 4. 0 - 1/4 0 - 100 0. 0 - 40. 0 [ms] 0 - 100 OFF ON ROOM 1 ROOM 2 HALL 1 HALL 2 PLATE 0. 1 - 10. 0 [s] 0 - 100 [ms] (refer to Table-20. [BASS2]) (refer to Table-21. [BASS3]) (refer to Table-21. [BASS3]) - 28 - 14 - 05 - 28 - 14 - 05 - 28 - 28 - 28 - 0F EQ/TWAH EQ/TWAH EQ/TWAH EQ/TWAH EQ/TWAH EQ/TWAH EQ/TWAH EQ/TWAH EQ/TWAH EQ/TWAH EQ/TWAH EQ/TWAH EQ/TWAH EQ/TWAH EQ/TWAH EQ/TWAH NS NS NS NS DELAY DELAY (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-19. [BASS1]) - 0F - 0F - 64 - 64 (refer to Table-19. [BASS1]) (refer to Table-19. [BASS1]) 00 01 00 - 64 00 - 64 00 01 00 01 00 5B 00 00 00 00 00 00 01 00 01 02 00 00 65 00 00 00 00 00 00 65 00 00 00 00 01 00 65 00 00 00 00 00 01 00 01 02 03 04 01 00 - 5A - 67 - 14 - 64 - 64 - 09 - 78 DELAY DELAY DELAY DELAY DELAY DELAY MOD MOD (step=20) (refer to Table-5. [BPM_PARAM5]) (refer to Table-16. [HI_CUT]) * 02 1C * 02 1E * 02 20 * 02 22 * 02 24 * 02 26 * 02 28 * 02 2A * 02 20 * 02 22 * 02 24 * 02 26 * 02 20 * 02 22 * 02 24 * 02 26 * 02 28 * 02 2A * 02 2C * 02 2E $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 - 08 - 64 - 71 - 64 - 64 - 64 - 64 - 64 - 64 - 71 - 64 - 64 - 64 MOD MOD MOD MOD MOD MOD MOD MOD MOD MOD MOD MOD MOD MOD MOD MOD MOD MOD REVERB REVERB Position dummy [FL] Rate [FL] Depth [FL] Manual [FL] Resonance [FL] Sepatate [FL] Level [PH] Rate [PH] Depth [PH] Manual [PH] Resonance [CE] Mode [CE] Rate [CE] Depth [CE] Pre Delay [CE] Low Cut [CE] FX Level Effect On/Off Type (refer to Table-1. [BPM_PARAM1]) (refer to Table-1. [BPM_PARAM1]) - 64 - 71 - 64 - 50 - 0A - 64 (refer to Table-1. [BPM_PARAM1]) (step=0. 5) (refer to Table-22. [LO_CUT2]) * 02 30 * 02 32 00 00 02 00 00 02 - 64 - 64 REVERB REVERB Reverb Time Pre Delay 10 MIDI Implementation * 02 34 * 02 36 * 02 38 * 02 3A * 02 3C * 02 3E * 02 40 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 00 00 - 09 - 09 - 0A - 64 * 02 42 00 00 02 00 - 64 28 - FA FB FC 00 - 64 REVERB REVERB REVERB REVERB MASTER MASTER MASTER Low Cut High Cut Density FX Level dummy Master Level Master BPM (refer to Table-17. [LO_CUT]) (refer to Table-16. [HI_CUT]) 0 - 10 0 - 100 0 - 100 40 - 250 MIDI GLOBAL 0 - 100 MASTER Foot Level <<< CHORUS RSS >>> OFFSET (H) * 01 24 * 01 26 * 01 28 * 01 2A * 01 2C * 01 2E * 01 30 * 01 32 * 01 34 * 01 36 * 01 38 * 01 3A * 01 3C * 01 3E * 01 40 * 01 42 * 01 44 * 01 46 * 01 48 * 01 4A * 01 4C * 01 4E * 01 50 SIZE (H) 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 DATA (H) 00 01 00 - 28 00 - 14 00 - 05 00 - 28 00 - 14 00 - 05 00 - 28 00 - 28 00 - 28 00 01 00 01 00 - 64 65 - 71 00 - 64 00 - 50 00 - 0A 00 - 09 00 - 64 00 01 00 01 00 - 64 28 - FA FB FC 00 - 64 EFFECT EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ CE CE CE CE CE CE CE CE CE CE MASTER MASTER MASTER PARAMETER Effect On/Off Low EQ Lo-Mid f Lo-Mid Q Lo-Mi EQ Hi-Mid f Hi-Mid Q Hi-Mid EQ High EQ Level Effect On/Off Polarity Rate Depth Pre Delay Low Cut High Cut Effect Level Direct On/Off RSS On/Off dummy Master Level Master BPM DESCRIPTION OFF ON -20 - +20 [dB] 100 - 10. 0k [Hz] 0. 5 - 16 -20 - +20 [dB] 100 - 10. 0k [Hz] 0. 5 - 16 -20 - +20 [dB] -20 - +20 [dB] -20 - +20 [dB] OFF ON SYNC INVERT 0 - 100 BPM 4. 0 - 1/4 0 - 100 0. 0 - 40. 0 [ms] (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-1. [BPM_PARAM1]) (step=0. 5) (refer to Table-22. [LO_CUT2]) (refer to Table-16. [HI_CUT]) 0 - 100 OFF ON OFF ON 0 - 100 40 - 250 MIDI GLOBAL 0 - 100 * 01 52 00 00 02 MASTER Foot Level <<< CHORUS + REVERB >>> OFFSET (H) * 01 24 * 01 26 * 01 28 * 01 2A * 01 2C * 01 2E * 01 30 * 01 32 * 01 34 * 01 36 * 01 38 * 01 3A * 01 3C * 01 3E * 01 40 * 01 42 * 01 44 * 01 46 * 01 48 * 01 4A * 01 4C * 01 4E SIZE (H) 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 DATA (H) 00 01 00 - 28 00 - 14 00 - 05 00 - 28 00 - 14 00 - 05 00 - 28 00 - 28 00 - 28 00 01 00 - 28 00 - 14 00 - 05 00 - 28 00 - 14 00 - 05 00 - 28 00 - 28 00 - 28 00 01 00 01 02 03 04 EFFECT EQL EQL EQL EQL EQL EQL EQL EQL EQL EQL EQR EQR EQR EQR EQR EQR EQR EQR EQR EQR REV REV PARAMETER Effect On/Off Low EQ Lo-Mid f Lo-Mid Q Lo-Mid EQ Hi-Mid f Hi-Mid Q Hi-Mid EQ High EQ Level Effect On/Off Low EQ Lo-Mid f Lo-Mid Q Lo-Mid EQ Hi-Mid f Hi-Mid Q Hi-Mid EQ High EQ Level Effect On/Off Type DESCRIPTION OFF ON -20 - +20 [dB] 100 - 10. 0k [Hz] 0. 5 - 16 -20 - +20 [dB] 100 - 10. 0k [Hz] 0. 5 - 16 -20 - +20 [dB] -20 - +20 [dB] -20 - +20 [dB] OFF ON -20 - +20 [dB] 100 - 10. 0k [Hz] 0. 5 - 16 -20 - +20 [dB] 100 - 10. 0k [Hz] 0. 5 - 16 -20 - +20 [dB] -20 - +20 [dB] -20 - +20 [dB] OFF ON ROOM 1 ROOM 2 HALL 1 HALL 2 PLATE (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) 11 MIDI Implementation * 01 50 * 01 52 * 01 54 * 01 56 * 01 58 * 01 5A * 01 5C * 01 5E * 01 60 * 01 62 * 01 64 * 01 66 * 01 68 * 01 6A * 01 6C * 01 6E * 01 70 * 01 72 * 01 74 * 01 76 * 01 78 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 01 00 00 00 00 00 00 00 01 00 01 00 65 00 00 00 00 00 00 01 - 64 - C8 - 64 - 64 - 0A - 0A - 09 REV REV REV REV REV REV REV REV CE CE Reverb Time Balance DIR:FX Effect Level Pre Delay Density Low Cut High Cut dummy Effect On/Off Mode Rate Depth Pre Delay Low Cut High Cut FX Level Direct On/Off dummy dummy Master Level Master BPM 0. 1 - 10. 0 [s] 100:0 - 0:100 0 - 100 0 - 100 [ms] 0 - 10 (refer to Table-22. [LO_CUT2]) (refer to Table-16. [HI_CUT]) OFF ON MONO ST. 0 - 100 BPM 4. 0 - 1/4 0 - 100 0. 0 - 40. 0 [ms] - 64 - 71 - 64 - 50 - 0A - 09 - 64 CE CE CE CE CE CE CE CE MASTER MASTER MASTER (refer to Table-1. [BPM_PARAM1]) (step=0. 5) (refer to Table-22. [LO_CUT2]) (refer to Table-16. [HI_CUT]) 0 - 100 OFF ON * 01 7A 00 00 02 00 28 - FA FB FC 00 - 64 MASTER Foot Level 0 - 100 40 - 250 MIDI GLOBAL 0 - 100 <<< DELAY >>> OFFSET (H) * 01 24 * 01 26 * 01 28 * 01 2A * 01 2C * 01 2E * 01 30 * 01 32 * 01 34 * 01 36 * 01 38 * 01 3A * 01 3C * 01 3E * 01 3C * 01 3E * 01 40 * 01 44 * 01 48 * 01 4A * 01 4C * 01 4E * 01 50 * 01 52 * 01 54 * 01 56 * 01 58 * 01 5A * 01 5C * 01 5E * 01 60 $ $ $ $ $ $ SIZE (H) 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 04 00 00 04 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 DATA (H) 00 01 00 - 28 00 - 14 00 - 05 00 - 28 00 - 14 00 - 05 00 - 28 00 - 28 00 - 28 00 01 00 01 00 - 8C 8D - 99 00 - 14 00 - 8C 8D - 99 00 - 14 0001- 0190 0001- 0190 00 - 64 00 - 64 00 - 64 00 - 64 00 - 78 00 - 64 00 - 32 00 - 09 EFFECT EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ DELAY DELAY DELAY DELAY DELAY DELAY DELAY DELAY DELAY DELAY DELAY DELAY DELAY DELAY DELAY DELAY DELAY DELAY MASTER MASTER MASTER PARAMETER Effect On/Off Low EQ Lo-Mid f Lo-Mid Q Lo-Mi EQ Hi-Mid f Hi-Mid Q Hi-Mid EQ High EQ Level Effect On/Off Type [SINGLE]Delay Time [SINGLE]Fine Time [3TAP]Delay Time C [3TAP]Fine Time C [3TAP]Time L [3TAP]Time R Feedback Level C Level L Level R FX Level Dir Level High Damp Gain High Cut Filter dummy dummy dummy Master Level Master BPM DESCRIPTION OFF ON -20 - +20 [dB] 100 - 10. 0k [Hz] 0. 5 - 16 -20 - +20 [dB] 100 - 10. 0k [Hz] 0. 5 - 16 -20 - +20 [dB] -20 - +20 [dB] -20 - +20 [dB] OFF ON SINGLE 3TAP 0 - 2800 [ms] BPM 1/4 - 4. 0 0 - 20 [ms] 0 - 2800 [ms] BPM 1/4 - 4. 0 0 - 20 [ms] 1 - 400 [%] 1 - 400 [%] 0 - 100 0 - 100 0 - 100 0 - 100 0 - 120 0 - 100 -50 - 0 [dB] (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (step=20) (refer to Table-6. [BPM_PARAM6]) (step=20) (refer to Table-6. [BPM_PARAM6]) (refer to Table-16. [HI_CUT]) * 01 62 00 00 02 00 - 64 28 - FA FB FC 00 - 64 MASTER Foot Level 0 - 100 40 - 250 MIDI GLOBAL 0 - 100 <<< DELAY RSS >>> OFFSET (H) * 01 24 * 01 26 * 01 28 SIZE (H) 00 00 02 00 00 02 00 00 02 DATA (H) 00 01 00 - 28 00 - 14 EFFECT EQ EQ EQ PARAMETER Effect On/Off Low EQ Lo-Mid f DESCRIPTION OFF ON -20 - +20 [dB] 100 - 10. 0k [Hz] (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) 12 MIDI Implementation * 01 2A * 01 2C * 01 2E * 01 30 * 01 32 * 01 34 * 01 36 * 01 38 * 01 3A * 01 3C * 01 3E * 01 40 * 01 44 * 01 48 * 01 4A * 01 4C * 01 4E * 01 50 * 01 52 * 01 54 * 01 56 * 01 58 * 01 5A * 01 5C * 01 5E * 01 60 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 04 00 00 04 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 00 00 00 00 00 00 01 - 05 - 28 - 14 - 05 - 28 - 28 - 28 EQ EQ EQ EQ EQ EQ EQ DELAY DELAY DELAY DELAY DELAY DELAY DELAY DELAY DELAY DELAY DELAY DELAY DELAY DELAY DELAY DELAY MASTER MASTER MASTER Lo-Mid Q Lo-Mi EQ Hi-Mid f Hi-Mid Q Hi-Mid EQ High EQ Level Effect On/Off dummy Delay Time C Fine Time C Time L Time R Feedback Level C Level L Level R FX Level Dir Level High Damp Gain High Cut Filter dummy RSS On/Off dummy Master Level Master BPM 0. 5 - 16 -20 - +20 [dB] 100 - 10. 0k [Hz] 0. 5 - 16 -20 - +20 [dB] -20 - +20 [dB] -20 - +20 [dB] OFF ON 0 - 2800 [ms] BPM 1/4 - 4. 0 0 - 20 [ms] 1 - 400 [%] 1 - 400 [%] 0 - 100 0 - 100 0 - 100 0 - 100 0 - 120 0 - 100 -50 - 0 [dB] (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) 00 - 8C 8D - 99 00 - 14 0001- 0190 0001- 0190 00 - 64 00 - 64 00 - 64 00 - 64 00 - 78 00 - 64 00 - 32 00 - 09 00 01 00 - 64 28 - FA FB FC 00 - 64 (step=20) (refer to Table-6. [BPM_PARAM6]) (refer to Table-16. [HI_CUT]) OFF ON 0 - 100 40 - 250 MIDI GLOBAL 0 - 100 * 01 62 00 00 02 MASTER Foot Level <<< DELAY + CHORUS >>> OFFSET (H) * 01 24 * 01 26 * 01 28 * 01 2A * 01 2C * 01 2E * 01 30 * 01 32 * 01 34 * 01 36 * 01 38 * 01 3A * 01 3C * 01 3E * 01 40 * 01 42 * 01 44 * 01 46 * 01 48 * 01 4A * 01 4C * 01 4E * 01 50 * 01 52 * 01 50 * 01 52 * 01 54 * 01 58 * 01 5C * 01 5E * 01 60 * 01 62 * 01 64 * 01 66 * 01 68 * 01 6A * 01 6C $ $ $ $ $ $ SIZE (H) 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 04 00 00 04 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 DATA (H) 00 01 00 - 28 00 - 14 00 - 05 00 - 28 00 - 14 00 - 05 00 - 28 00 - 28 00 - 28 00 01 00 - 28 00 - 14 00 - 05 00 - 28 00 - 14 00 - 05 00 - 28 00 - 28 00 - 28 00 01 00 01 00 - 5A 5B - 67 00 - 14 00 - 5A 5B - 67 00 - 14 0001- 0190 0001- 0190 00 - 64 00 - 64 00 - 64 00 - 64 00 - 78 00 - 64 00 - 32 00 - 09 EFFECT EQL EQL EQL EQL EQL EQL EQL EQL EQL EQL EQR EQR EQR EQR EQR EQR EQR EQR EQR EQR DLY DLY DLY DLY DLY DLY DLY DLY DLY DLY DLY DLY DLY DLY DLY DLY DLY PARAMETER Effect On/Off Low EQ Lo-Mid f Lo-Mid Q Lo-Mid EQ Hi-Mid f Hi-Mid Q Hi-Mid EQ High EQ Level Effect On/Off Low EQ Lo-Mid f Lo-Mid Q Lo-Mid EQ Hi-Mid f Hi-Mid Q Hi-Mid EQ High EQ Level Effect On/Off Type [SINGLE]Delay Time [SINGLE]Fine Time [3TAP]Delay Time C [3TAP]Fine Time C [3TAP]Time L [3TAP]Time R Feedback Level C Level L Level R FX Level Dir Level High Damp Gain High Cut Filter dummy DESCRIPTION OFF ON -20 - +20 [dB] 100 - 10. 0k [Hz] 0. 5 - 16 -20 - +20 [dB] 100 - 10. 0k [Hz] 0. 5 - 16 -20 - +20 [dB] -20 - +20 [dB] -20 - +20 [dB] OFF ON -20 - +20 [dB] 100 - 10. 0k [Hz] 0. 5 - 16 -20 - +20 [dB] 100 - 10. 0k [Hz] 0. 5 - 16 -20 - +20 [dB] -20 - +20 [dB] -20 - +20 [dB] OFF ON SINGLE 3TAP 0 - 1800 [ms] BPM 1/4 - 4. 0 0 - 20 [ms] 0 - 1800 [ms] BPM 1/4 - 4. 0 0 -20 [ms] 1 - 400 [%] 1 - 400 [%] 0 - 100 0 - 100 0 - 100 0 - 100 0 - 120 0 - 100 -50 - 0 [dB] (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (step=20) (refer to Table-5. [BPM_PARAM5]) (step=20) (refer to Table-5. [BPM_PARAM5]) (refer to Table-16. [HI_CUT]) 13 MIDI Implementation * 01 6E * 01 70 * 01 72 * 01 74 * 01 76 * 01 78 * 01 7A * 01 7C * 01 7E * 02 00 * 02 02 * 02 04 * 02 06 * 02 08 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 01 00 01 00 65 00 00 00 00 00 00 01 DLY CE CE - 64 - 71 - 64 - 50 - 0A - 09 - 64 CE CE CE CE CE CE CE CE MASTER MASTER MASTER dummy Effect On/Off Mode Rate Depth Pre Delay Low Cut High Cut FX Level Direct On/Off dummy dummy Master Level Master BPM OFF ON MONO ST. 0 - 100 BPM 4. 0 - 1/4 0 - 100 0. 0 - 40. 0 [ms] (refer to Table-1. [BPM_PARAM1]) (step=0. 5) (refer to Table-22. [LO_CUT2]) (refer to Table-16. [HI_CUT]) 0 - 100 OFF ON * 02 0A 00 00 02 00 - 64 28 - FA FB FC 00 - 64 MASTER Foot Level 0 - 100 40 - 250 MIDI GLOBAL 0 - 100 <<< DELAY + REVERB >>> OFFSET (H) * 01 24 * 01 26 * 01 28 * 01 2A * 01 2C * 01 2E * 01 30 * 01 32 * 01 34 * 01 36 * 01 38 * 01 3A * 01 3C * 01 3E * 01 40 * 01 42 * 01 44 * 01 46 * 01 48 * 01 4A * 01 4C * 01 4E * 01 50 * 01 52 * 01 50 * 01 52 * 01 54 * 01 58 * 01 5C * 01 5E * 01 60 * 01 62 * 01 64 * 01 66 * 01 68 * 01 6A * 01 6C * 01 6E * 01 70 * 01 72 $ $ $ $ $ $ SIZE (H) 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 04 00 00 04 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 DATA (H) 00 01 00 - 28 00 - 14 00 - 05 00 - 28 00 - 14 00 - 05 00 - 28 00 - 28 00 - 28 00 01 00 - 28 00 - 14 00 - 05 00 - 28 00 - 14 00 - 05 00 - 28 00 - 28 00 - 28 00 01 00 01 00 - 5A 5B - 67 00 - 14 00 - 5A 5B - 67 00 - 14 0001- 0190 0001- 0190 00 - 64 00 - 64 00 - 64 00 - 64 00 - 78 00 - 64 00 - 32 00 - 09 EFFECT EQL EQL EQL EQL EQL EQL EQL EQL EQL EQL EQR EQR EQR EQR EQR EQR EQR EQR EQR EQR DLY DLY DLY DLY DLY DLY DLY DLY DLY DLY DLY DLY DLY DLY DLY DLY DLY DLY REV REV PARAMETER Effect On/Off Low EQ Lo-Mid f Lo-Mid Q Lo-Mid EQ Hi-Mid f Hi-Mid Q Hi-Mid EQ High EQ Level Effect On/Off Low EQ Lo-Mid f Lo-Mid Q Lo-Mid EQ Hi-Mid f Hi-Mid Q Hi-Mid EQ High EQ Level Effect On/Off Type [SINGLE]Delay Time [SINGLE]Fine Time [3TAP]Delay Time C [3TAP]Fine Time C [3TAP]Time L [3TAP]Time R Feedback Level C Level L Level R FX Level Dir Level High Damp Gain High Cut Filter dummy dummy Effect On/Off Type DESCRIPTION OFF ON -20 - +20 [dB] 100 - 10. 0k [Hz] 0. 5 - 16 -20 - +20 [dB] 100 - 10. 0k [Hz] 0. 5 - 16 -20 - +20 [dB] -20 - +20 [dB] -20 - +20 [dB] OFF ON -20 - +20 [dB] 100 - 10. 0k [Hz] 0. 5 - 16 -20 - +20 [dB] 100 - 10. 0k [Hz] 0. 5 - 16 -20 - +20 [dB] -20 - +20 [dB] -20 - +20 [dB] OFF ON SINGLE 3TAP 0 - 1800 [ms] BPM 1/4 - 4. 0 0 - 20 [ms] 0 - 1800 [ms] BPM 1/4 - 4. 0 0 - 20 [ms] 1 - 400 [%] 1 - 400 [%] 0 - 100 0 - 100 0 - 100 0 - 100 0 - 120 0 - 100 -50 - 0 [dB] (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (step=20) (refer to Table-5. [BPM_PARAM5]) (step=20) (refer to Table-5. [BPM_PARAM5]) (refer to Table-16. [HI_CUT]) * 01 74 * 01 76 * 01 78 00 00 02 00 00 02 00 00 02 00 01 00 01 02 03 04 01 - 64 00 - C8 00 - 64 REV REV REV Reverb Time Balance DIR:FX Effect Level OFF ON ROOM 1 ROOM 2 HALL 1 HALL 2 PLATE 0. 1 - 10. 0 [s] 100:0 - 0:100 0 - 100 14 MIDI Implementation * 01 7A * 01 7C * 01 7E * 02 00 * 02 02 * 02 04 * 02 06 * 02 08 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 00 00 - 64 - 0A - 0A - 09 * 02 0A 00 00 02 00 - 64 28 - FA FB FC 00 - 64 REV REV REV REV REV MASTER MASTER MASTER Pre Delay Density Low Cut High Cut dummy dummy Master Level Master BPM 0 - 100 [ms] 0 - 10 (refer to Table-22. [LO_CUT2]) (refer to Table-16. [HI_CUT]) MASTER Foot Level 0 - 100 40 - 250 MIDI GLOBAL 0 - 100 <<< GATE REVERB >>> OFFSET (H) * 01 24 * 01 26 * 01 28 * 01 2A * 01 2C * 01 2E * 01 30 * 01 32 * 01 34 * 01 36 * 01 38 * 01 3A * 01 3C * 01 40 * 01 44 * 01 46 * 01 48 * 01 4A * 01 4C * 01 4E * 01 50 * 01 52 * 01 54 * 01 56 * 01 58 * 01 5A * 01 5C * 01 5E * 01 60 * 01 62 * 01 64 * 01 66 * 01 68 * 01 6A SIZE (H) 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 04 00 00 04 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 DATA (H) 00 01 00 - 28 00 - 14 00 - 05 00 - 28 00 - 14 00 - 05 00 - 28 00 - 28 00 - 28 00 01 0038- 0146 0001- 0140 00 - C8 00 - 64 00 - C8 00 - 64 00 - 64 00 - 64 00 - 30 00 - 10 00 - 30 00 - 10 00 - 21 00 01 00 - 64 01 - 64 01 - 64 00 - 64 00 - 64 EFFECT EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ REVERB REVERB REVERB REVERB REVERB REVERB REVERB REVERB REVERB REVERB REVERB REVERB REVERB REVERB REVERB REVERB GATE GATE GATE GATE MASTER MASTER MASTER MASTER PARAMETER Effect On/Off Low EQ Lo-Mid f Lo-Mid Q Lo-Mi EQ Hi-Mid f Hi-Mid Q Hi-Mid EQ High EQ Level Effect On/Off dummy Room Size Reverb Time Balance Dir:FX Effect Level Pre Delay Density ER Level Release Dnsty Low Damp Gain Low Damp Freq High Damp Gain High Damp Freq High Cut Filter dummy Gate On/Off Threshold Hold Time Rls Time dummy Master Level dummy Foot Level DESCRIPTION OFF ON -20 - +20 [dB] 100 - 10. 0k [Hz] 0. 5 - 16 -20 - +20 [dB] 100 - 10. 0k [Hz] 0. 5 - 16 -20 - +20 [dB] -20 - +20 [dB] -20 - +20 [dB] OFF ON 5. 6 - 32. 6 [m] 0. 1 - 32. 0 [s] 100:0 - 0:100 0 - 100 0 - 200 [ms] 0 - 100 0 - 100 0 - 100 (refer to Table-24. [DAMP_GAIN]) (refer to Table-25. [LODMP]) (refer to Table-24. [DAMP_GAIN]) (refer to Table-26. [HIDMP]) (refer to Table-27. [REV_HICUT]) OFF ON 0 - 100 1 - 100 1 - 100 0 - 100 0 - 100 (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) <<< GUITAR MULTI 1 >>> OFFSET (H) * 01 24 * 01 26 * 01 28 * 01 2A * 01 2C * 01 2E * 01 28 * 01 2A * 01 2C * 01 2E * 01 30 * 01 32 * 01 34 * 01 36 * 01 34 * 01 36 * 01 38 $ $ $ $ $ $ $ $ $ $ $ $ $ SIZE (H) 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 DATA (H) 00 01 00 01 00 - 64 00 - 64 00 - 64 00 - 64 00 - 64 00 - 64 00 - 64 00 - 64 00 01 00 01 00 - 64 00 - 64 00 01 00 01 00 - 64 EFFECT COMP COMP COMP COMP COMP COMP COMP COMP COMP COMP WAH WAH WAH WAH WAH WAH WAH PARAMETER Effect On/Off FX Select [COMP]Sustain [COMP]Attack [COMP]Tone [COMP]Level [LIMIT]Threshold [LIMIT]Release [LIMIT]Tone [LIMIT]Level Effect On/Off FX Select [WAH]Pedal [WAH]Level [AW]Mode [AW]Polarity [AW]Sens DESCRIPTION OFF ON COMP LIMIT 0 - 100 0 - 100 -50 - +50 0 - 100 0 - 100 0 - 100 -50 - +50 0 - 100 OFF ON WAH AW 0 - 100 0 - 100 LPF BPF DOWN UP 0 - 100 15 MIDI Implementation * 01 3A * 01 3C * 01 3E * 01 40 * 01 42 * 01 44 * 01 46 * 01 48 * 01 4A * 01 4C * 01 4E * 01 50 * 01 52 * 01 54 * 01 56 $ $ $ $ $ 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 * 01 58 * 01 5A * 01 5C * 01 5E * 01 60 * 01 62 * 01 64 * 01 66 * 01 68 * 01 6A * 01 6C * 01 6E * 01 70 * 01 72 * 01 74 * 01 76 * 01 78 * 01 7A * 01 7C * 01 7E * 02 00 * 02 02 * 02 04 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 00 65 00 00 00 01 00 00 00 00 00 00 00 00 01 00 01 02 00 00 00 00 00 01 00 00 00 00 00 00 00 00 00 00 01 00 00 00 00 01 00 00 00 01 02 00 00 00 00 01 02 03 04 00 00 00 - 64 - 64 - 64 - 71 - 64 - 64 WAH WAH WAH WAH WAH PREAMP PREAMP PREAMP PREAMP PREAMP PREAMP PREAMP PREAMP PREAMP PREAMP [AW]Freq [AW]Peak [AW]Rate [AW]Depth [AW]Level Effect On/Off Preamp Type Volume Bass Middle Treble Presence Master Bright Gain 0 - 100 0 - 100 0 - 100 BPM 4. 0 - 1/4 0 - 100 0 - 100 OFF ON 0 - 100 0 - 100 0 - 100 0 - 100 0 - 100 0 - 100 OFF ON LOW MID HIGH (refer to Table-1. [BPM_PARAM1]) - 11 - 64 - 64 - 64 - 64 - 64 - 64 (refer to Table-9. [PREAMP_TYPE]) - 0A - 64 - 64 - 08 PREAMP PREAMP PREAMP PREAMP EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ NS NS NS NS MOD MOD MOD MOD MOD Mic Setting Mic Level Direct Level Position Effect On/Off Low EQ Lo-Mid f Lo-Mid Q Lo-Mid EQ Hi-Mid f Hi-Mid Q Hi-Mid EQ High EQ Level Effect On/Off Threshold Release Effect On/Off FX Select Position [HR]Voice (refer to Table-10. [PREAMP_MICSET]) 0 - 100 0 - 100 0-8 OFF ON -20 - +20 [dB] 100 - 10. 0k [Hz] 0. 5 - 16 -20 - +20 [dB] 100 - 10. 0k [Hz] 0. 5 - 16 -20 - +20 [dB] -20 - +20 [dB] -20 - +20 [dB] OFF ON 0 - 100 0 - 100 OFF ON (refer to Table-12. [MOD]) 0-8 1 MONO 2 MONO 2 STEREO C(Am) - B(G#m) 0 - 100 - 28 - 14 - 05 - 28 - 14 - 05 - 28 - 28 - 28 (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) - 64 - 64 - 0A - 08 $ * 02 06 * 02 08 * 02 0A * 02 0C $ $ $ $ 00 00 02 00 00 02 00 00 02 00 00 02 - 0B - 64 MOD MOD MOD MOD [HR]Key [HR]Dir Level dummy [HR][1] Mode (refer to Table-13. [HARM_KEY]) * 02 0E * 02 10 * 02 12 * 02 14 * 02 16 * 02 18 * 02 1C $ $ $ $ $ $ $ 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 04 00 00 02 - 30 - 64 - 21 MOD MOD MOD MOD MOD MOD MOD [HR][1] Pitch [HR][1] Fine [HR][1] Harmony [HR][1] Feedback [HR][1] Level [HR][1] Pre Delay [HR][2] Mode * 02 1E * 02 20 * 02 22 * 02 24 * 02 26 * 02 28 * 02 04 $ $ $ $ $ $ $ 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 04 00 00 02 00 - 64 00 - 64 0000- 012C 012D- 0139 00 01 02 03 04 00 - 30 00 - 64 00 - 21 MOD MOD MOD MOD MOD MOD MOD [HR][2] Pitch [HR][2] Fine [HR][2] Harmony dummy [HR][2] Level [HR][2] Pre Delay [FL] Rate FAST MEDIUM SLOW MONO HARMONY -24 - +24 -50 - +50 -2OCT - +2OCT, SCALE1 - SCALE5 (refer to Table-14. [HARM_HARMONY]) 0 - 100 0 - 100 0 - 300 [ms] BPM 1/4 - 4. 0 (refer to Table-7. [BPM_PARAM7]) FAST MEDIUM SLOW MONO HARMONY -24 - +24 -50 - +50 -2OCT - +2OCT, SCALE1 - SCALE5 (refer to Table-14. [HARM_HARMONY]) 0 - 100 0 - 300 [ms] BPM 1/4 - 4. 0 0 - 100 BPM 4. 0 - 1/4 00 - 64 0000- 012C 012D- 0139 00 - 64 65 - 71 (refer to Table-7. [BPM_PARAM7]) (refer to Table-1. [BPM_PARAM1]) 16 MIDI Implementation * 02 06 * 02 08 * 02 0A * 02 0C * 02 0E * 02 04 $ $ $ $ $ $ 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 * 02 06 * 02 08 * 02 0A * 02 0C * 02 0E * 02 10 * 02 12 * 02 04 * 02 06 * 02 08 * 02 0A * 02 0C * 02 0E * 02 10 * 02 12 * 02 14 * 02 04 * 02 06 * 02 08 * 02 0A * 02 0C * 02 0E * 02 10 * 02 12 * 02 14 * 02 04 * 02 08 * 02 0A * 02 04 $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 04 00 00 02 00 00 02 00 00 02 00 00 00 00 00 00 01 02 03 00 65 00 00 00 - 64 - 64 - 64 - 64 - 64 MOD MOD MOD MOD MOD MOD [FL] Depth [FL] Manual [FL] Resonance [FL] Separate [FL] Level [FL] Type - 64 - 71 - 64 - 64 - 64 MOD MOD MOD MOD MOD MOD MOD MOD MOD MOD MOD MOD MOD MOD MOD MOD MOD MOD MOD MOD MOD MOD MOD MOD MOD MOD MOD MOD MOD [PH] Rate [PH] Depth [PH] Manual [PH] Resonance dummy [PH] Step [PH] Level [SEQ] Low EQ [SEQ] Lo-Mid f [SEQ] Lo-Mid Q [SEQ] Lo-Mi EQ [SEQ] Hi-Mid f [SEQ] Hi-Mid Q [SEQ] Hi-Mid EQ [SEQ] High EQ [SEQ] Level [2CE] Xover f [2CE] Low Rate [2CE] Low Depth [2CE] Low Pre Delay [2CE] Low Level [2CE] High Rate [2CE] High Depth [2CE] High Pre Delay [2CE] High Level [SDD] Delay Time [SDD] Feedback [SDD] FX Level [HU] Mode 0 - 100 0 - 100 0 - 100 0 - 100 0 - 100 4STAGE 8STAGE 12STAGE BI-PHASE 0 - 100 BPM 4. 0 - 1/4 0 - 100 0 - 100 0 - 100 OFF 1 - 100 0 - 100 -20 - +20 [dB] 100 - 10. 0k [Hz] 0. 5 - 16 -20 - +20 [dB] 100 - 10. 0k [Hz] 0. 5 - 16 -20 - +20 [dB] -20 - +20 [dB] -20 - +20 [dB] 100Hz - 4. 00kHz 0 - 100 BPM 4. 0 - 1/4 0 - 100 0. 0 - 40. 0 [ms] 0 - 100 0 - 100 BPM 4. 0 - 1/4 0 - 100 0. 0 - 40. 0 [ms] 0 - 100 0 - 400 [ms] BPM 1/4 - 4. 0 0 - 100 PICK AUTO RANDOM a, e, i, o, u a, e, i, o, u 0 - 100 0 - 100 BPM 4. 0 - 1/4 0 - 100 0 - 100 0 - 100 0 - 100 BPM 4. 0 - 1/4 0 - 100 OFF ON 0 - 100 0 - 100 SQR SAW BRASS BOW OFF ON 0 -1 -2 0 - 100 0 - 100 0 - 100 0 - 100 0 - 100 0 - 100 -100 - +100 DECAY 0 - 100 0 - 100 (refer to Table-1. [BPM_PARAM1]) * 02 06 * 02 08 * 02 0A * 02 0C * 02 0E * 02 10 * 02 12 * 02 04 * 02 06 * 02 08 * 02 0A * 02 04 * 02 06 $ $ $ $ $ $ $ $ $ $ $ $ $ 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 * 02 08 * 02 0A $ $ 00 00 02 00 00 02 * 02 0C * 02 0E * 02 10 * 02 12 * 02 14 * 02 16 * 02 18 * 02 1A * 02 1C $ $ $ $ $ $ $ $ $ 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 01 - 64 00 - 64 00 - 28 00 - 14 00 - 05 00 - 28 00 - 14 00 - 05 00 - 28 00 - 28 00 - 28 00 - 10 00 - 64 65 - 71 00 - 64 00 - 50 00 - 64 00 - 64 65 - 71 00 - 64 00 - 50 00 - 64 0000- 0190 0191- 019D 00 - 64 00 - 78 00 01 02 00 - 04 00 - 04 00 - 64 00 - 64 65 - 71 00 - 64 00 - 64 00 - 64 00 - 64 65 - 71 00 - 64 00 01 00 - 64 00 - 64 00 01 02 03 00 01 00 01 02 00 - 64 00 - 64 00 - 64 00 - 64 00 - 64 00 - 64 00 - C8 00 01 - 65 00 - 64 (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-11. [EQ_PARAM]) (refer to Table-15. [2CE_XOVER]) (refer to Table-1. [BPM_PARAM1]) (step=0. 5) (refer to Table-1. [BPM_PARAM1]) (step=0. 5) (step=20) (refer to Table-8. [BPM_PARAM8]) MOD MOD MOD MOD MOD MOD MOD MOD MOD MOD MOD MOD MOD [HU] Vowel 1 [HU] Vowel 2 [HU] Sens [HU] Rate [HU] Depth [HU] Manual [HU] Level [VB] Rate [VB] Depth [VB] Trigger [VB] Rise Time [SYN] Sens [SYN] Wave (refer to Table-1. [BPM_PARAM1]) (refer to Table-1. [BPM_PARAM1]) MOD MOD [SYN] Chromatic [SYN] Oct Shift MOD MOD MOD MOD MOD MOD MOD MOD MOD [SYN] PWM Rate [SYN] PWM Depth [SYN] Cutoff F [SYN] Resonance [SYN] FLT. Depth [SYN] Attack [SYN] Release 17 MIDI Implementation * 02 1E * 02 20 * 02 22 * 02 24 * 02 04 * 02 06 * 02 08 * 02 0A * 02 04 * 02 06 * 02 08 * 02 2A * 02 2C * 02 2E * 02 30 * 02 32 * 02 34 * 02 36 * 02 38 * 02 3A * 02 3C * 02 3E * 02 40 * 02 42 * 02 44 * 02 46 * 02 48 * 02 4A * 02 4C * 02 4E $ $ $ $ $ $ $ $ $ $ $ $ 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 02 00 00 01 00 00 00 01 00 00 00 00 00 65 00 00 01 00 01 00 5B 00 00 00 00 00 00 01 00 01 00 65 00 00 00 00 00 01 00 01 02 03 04 01 00 00 00 00 00 - 64 MOD MOD MOD MOD MOD MOD MOD MOD MOD MOD MOD MOD DELAY DELAY [SYN] Velocity [SYN] Hold [SYN] Synth Level [SYN] Dir Level [RM] Mode [RM] Freq [RM] FX Level [RM] Dir Level [SL] Pattern [SL] Rate [SL] Trigger Sens dummy Effect On/Off Type Delay Time Fine Time Tap Time Feedback High Cut FX Level Effect On/Off Mode Rate Depth Pre Delay High Cut FX Level Effect On/Off Type - 64 - 64 - 64 - 64 - 64 - 13 - 64 - 71 - 64 0 - 100 OFF ON 0 - 100 0 - 100 NORMAL INTELLIGENT 0 - 100 0 - 100 0 - 100 P1 - P20 0 - 100 BPM 4. 0 - 1/4 0 - 100 OFF ON SINGLE TAP 0 - 1800 [ms] BPM 1/4 - 4. 0 0 - 20 [ms] 0 - 100 [%] 0 - 100 700Hz - 11. 0 kHz, Flat 0 - 120 OFF ON MONO ST. The Command ID format may contain 00H in one or more places to provide an extended data field. The following are examples of valid Command IDs, each representing a unique function: 01H 02H 03H 00H, 01H 00H, 02H 00H, 00H, 01H ·Request data #1: RQ1 (11H) This message is sent out when there is a need to acquire data from a device at the other end of the interface. It contains data for the address and size that specify designation and length, respectively, of data required. On receiving an RQ1 message, the remote device checks its memory for the data address and size that satisfy the request. If it finds them and is ready for communication, the device will transmit a "Data set 1 (DT1)" message, which contains the requested data. Otherwise, the device won't send out anything. Byte F0H 41H DEV MDL 11H aaH | | ssH | | sum F7H Size Description Exclusive Status Manufacturer ID (Roland) Device ID Model ID Command ID Address MSB | | LSB MSB | | LSB Check sum End of exclusive ·Main data: BODY This field contains a message to be exchanged across an interface. The exact data size and content will vary with the Model ID and Command ID. 2. Address-mapped Data Transfer Address mapping is a technique for transferring messages conforming to the data format given in Section 1. It assigns a series of memory-resident records--waveform and tone data, switch status, and parameters, for example, to specific locations in a machine-dependent address space, thereby allowing access to data residing at the address a message specifies. Address-mapped data transfer is therefore independent of models and data categories. This technique allows use of two different transfer procedures: one-way transfer and handshake transfer. 56 MIDI Implementation * The size of the requested data does not indicate the number of bytes that will make up a DT1 message, but represents the address fields where the requested data resides. [. . . ] Requested data, for example, may have a limit in length or must be divided into predetermined address fields before it is exchanged across the interface. * The same number of bytes comprises address and size data, which, however, vary with the Model ID. * The error-checking process uses a checksum that provides a bit pattern where the last 7 bits are zero when values for an address, size, and that checksum are summed. ·Data set 1: DT1 (12H) This message corresponds to the actual data transfer process. Because every byte in the data is assigned a unique address, a DT1 message can convey the starting address of one or more bits of data as well as a series of data formatted in an address-dependent order. [. . . ]