User manual ROLAND SRJV80-18

[. . . ] No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION. Roland Web site: http://www. roland. co. jp/ Contents Contents . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 About MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 Troubleshooting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ] Sets the time over which the volume will drop to 0 after the noise starts being muted. Ovd (Overdrive): Sw (Switch) Gain (Gain) Level (Level) Adds distortion to the sound. On, Off 0­100 0­100 Turns overdrive on or off. Sets the volume of the overdrive sound. Rot (Rotary Speaker): LRate (Low Rate) HRate (High Rate) Models a rotary speaker. 0. 1­10. 0 Hz 0. 1­10. 0 Hz Sets the rotary frequency of the low frequency band roter. Sets the rotary frequency of the High frequency band roter. 71 Algorithm List 2ch RSS Gives each of the sounds input into the respective channels three-dimensional locations. fig. 08-16 Input A RSS Output L RSS Input B Output R · Input A is input into the L-channel side of the effect. Therefore, it is required to insert and connect "Lch" of the effect to the channel handling Input A. Insert and connect "Rch" of the effect to the channel handling Input B. · Do not output the direct sound. What is RSS? It stands for Roland Sound Space. This is one of the Roland's proprietary effect technologies that enables threedimensional location of the sound source on the ordinary stereo system. Not only control on effect for the front and the sides of the audience, this technology provides controls on directions (azimuth) such as up, down and rear as well as control on distance to localize the sound source. fig. 08-17e Up Elevation Back Right 0° Front Azimus Left Down Parameter (full name) RSS: Azimuth Elevation Type Setting Function Gives sounds three-dimensional locations. -180­180° -90­90° A B Phones Off, On Sets output directions, front, back, right and left, for the Input A channel. Same effects can be achieved as the old VS series (VS880/880EX/890/1680/1880/1824/1824CD/VSR-880). Set to On when you use headphones Set to Off when you use speakers. 72 Algorithm List Algorithm List Precautions for using RSS When you use RSS with Phones Off, please notice the following points. However, a multi-way type will do if it incorporates the coaxial or virtual coaxial system. Sets the time from when the input level exceeds the threshold level to when the effect begins to apply. Sets the time from when the input level drops below the threshold level to when the effect ceases to apply. Sets the volume of the compressor sound. Detect HPF Freq (Detect HPF Frequency) Level (Output Level) 75 Algorithm List Guitar Multi 1­3 These provide multi-effects for guitar sounds suited for rock. Guitar Multi 1 provides the Highest degree of distortion and Guitar-Multi 3 the lowest. fig. 08-26 Input L Noise Suppressor Output L Auto Wah GAmp Mdl Flanger Delay Output R Input R fig. 08-27 Compressor Heavy Metal Input L Noise Suppressor Output L Auto Wah GAmp Mdl Flanger Delay Output R Input R fig. 08-28 Compressor Distortion Input L Noise Suppressor Output L Auto Wah GAmp Mdl Flanger Delay Output R Input R Compressor OverDrive Usage of Guitar Multi 1 through 3 The basic configuration is almost identical for all of Guitar-Multi 1 through 3. The only difference is the type of the second effect (heavy metal, distortion, and overdrive). Select Guitar Multi 1 to add severe distortion to the sound, and select Guitar Multi 3 for soft distortion as that achieved with the vacuum tube amplifier. Adding Wah effect by changing input volume Typically, Auto-Wah provides an automatic wah effect at the cycle set with Rate (Rate). Alternatively, you can give wah effect according to changes of input volume. For example, you can apply the wah effect so that it reflects changes in picking on the guitar. First, adjust sensitivity for changes in input volume by using Sense (Sens). After that, you simply decide the direction into which the filter should be moved by entering a setting for Polarity (Pol). Selecting Guitar Amplifier You can select which type of Guitar Amplifier to use with Mode (Mode) under Guitar Amplifier Simulator. Small: Built In: 2 Stack: 3 Stack: Small-sized amplifier Built-in type amplifier Large-sized two-deck stacked amplifiers Large-sized three-deck stacked amplifiers Compressors used in Guitar Multi 1 through 3 Compressors used in Guitar Multi 1 through 3 are designed to accommodate playing of the guitar, providing a slightly different effect from ordinary compressors. [. . . ] NSW 2099 AUSTRALIA TEL: (02) 9982 8266 RUSSIA MuTek 3-Bogatyrskaya Str. 1. k. l 107 564 Moscow, RUSSIA TEL: (095) 169 5043 SAUDI ARABIA aDawliah Universal Electronics APL Corniche Road, Aldossary Bldg. , 1st Floor, Alkhobar, SAUDI ARABIA P. O. Box 2154, Alkhobar 31952 SAUDI ARABIA TEL: (03) 898 2081 BELGIUM/HOLLAND/ LUXEMBOURG Roland Benelux N. V. Houtstraat 3, B-2260, Oevel (Westerlo) BELGIUM TEL: (014) 575811 SPAIN Roland Electronics de España, S. A. Calle Bolivia 239, 08020 Barcelona, SPAIN TEL: (93) 308 1000 SYRIA Technical Light & Sound Center Khaled Ebn Al Walid St. [. . . ]