Detailed instructions for use are in the User's Guide.
[. . . ] USING THE UNIT SAFELY
Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly. Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly. * Material damage refers to damage or other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.
The symbol alerts the user to important instructions or warnings. The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger. [. . . ] The parameters that can be changed are predetermined for each type of multi-effect; among the parameters described in "Multi-Effects Parameter (MFX1 3, MFX)" (p. 192), these are indicated by a "#. " The function that allows you use MIDI messages to make these changes in realtime to the multi-effects parameters is called the Multieffects Control. You can use up to four multi-effect controls in a patch or rhythm set. When the multi-effects control is used, you can select the amount of control (Sens) applied, the parameter selected (Dest), and the MIDI message used (Source). 95) instead of the Multi-effects Control, you can also change the parameters of some popular multieffects in realtime.
Parameter
Value OFF, CC01CC31, CC3395, PITCH BEND, AFTERTOUCH, SYS CTRL14 Refer to "Multi-Effects Parameter" (p. 192)
Explanation Sets the MIDI message used to control the multi-effects parameter with the multi-effects control.
OFF: CC0131, 3395: PITCH BEND: AFTERTOUCH: SYS CTRL14: Multi-effects control will not be used. Controller numbers 131, 3395 Pitch Bend Aftertouch Use the System Control setting (p. 179).
Control 14 Src (Source)
Control 14 Dest (Destination)
Sets the multi-effects parameters to be controlled with the multi-effects control. The multieffects parameters available for control will depend on the multi-effects type. Sets the amount of the multi-effects control's effect that is applied. If you wish to modify the selected parameter in a positive (+) direction--i. e. , a higher value, toward the right, or faster, etc. --from its current setting, select a positive (+) value. If you wish to modify the selected parameter in a negative (-) direction--i. e. , a lower value, toward the left, or slower, etc. --from its current setting, select a negative (-) value. Higher numbers produce a greater amount of change.
Control 14 Sens
-63+63
137
MEMO
138
Audio Connections
139
Using the SonicCell with your computer (USB AUDIO)
Basic operation
1. Turn [CURSOR/VALUE] to move the cursor to the parameter you want to edit. To save the setting, press [MENU] to access the menu screen, and choose "Write" (System Write) to execute the Write operation (System Write: p. Parameter Audio level Value
0127
Explanation This specifies the volume of the input from USB, and the volume at which the SMF/Audio File Player (p. 167) will play audio files.
Specifies where the input signal is to be sent.
To Output: Sent to OUTPUT.
USB Audio Input Effect
To Input FX: Sent to the input effect.
OUTPUT
Assign
To Output, To Input FX
USB Audio Input Effect OUTPUT
Use the "In/Out Routing" (p. 144) to specify how the signal that has passed through the input effect will be output.
Input/output of USB audio and MIDI messages cannot be used at the same time that the SMF/Audio File Player (p. 167) is playing.
140
Using the SonicCell with your computer (USB AUDIO)
Accessing the Menu screen
From the USB Audio screen, press [MENU] to access the Menu screen. Press [MENU] once again to return to the USB Audio screen.
Parameter Write (System Write) System Utility Demo Play SRX Info (SRX Information) Version (Version Information)
Explanation Saves the current settings as system settings (p. 180).
141
Inputting sound from an external device (INPUT)
Basic operation
1. The Input screen will appear.
fig. disp-Input-top01 fig. disp-Input-top02
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