User manual ROLAND LVC-1

[. . . ] 17 RPS Pattern list. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19 RPS Set list . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21 Pattern Set list (for US) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24 Song list . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ] Output level For a single measure containing four quarter notes, this sets the level of each sixteenth note when the measure is divided into sixteenth notes. 36 Effects editing parameters 29: GATE Cuts the output level according to the volume of the sound sent into the effect. Use this when you want to create an artificial-sounding decrease in the reverb's decay. fig. MFX29 Parameter W/P Noise LPF W/P Noise Level Disc Noise Type Value 200­8000 Hz, BYPASS 0­127 LP, EP, SP, RND Description Cutoff frequency of the low pass filter applied to the white/pink noise (BYPASS: no cut) Volume of the white/pink noise Type of record noise The frequency at which the noise is heard depends on the selected type. Adjusts the cutoff frequency of the low pass filter applied to the record noise. If you don't want to filter out any high frequencies, set this parameter to BYPASS. Volume of the record noise Frequency of the hum noise Cutoff frequency of the low pass filter applied to the hum noise (BYPASS: no cut) Volume of the hum noise Volume balance between the direct sound (D) and the effect sound (W) Output level L in Gate L out R in Gate R out Disc Noise LPF 200­8000 Hz, BYPASS Parameter Threshold #1 Mode Value 0­127 GATE, DUCK Balance #2 Attack Time Hold Time D100:0W­ D0:100W 0­127 0­127 Release Time Level 0­127 0­127 Description Volume level at which the gate begins to close Type of gate GATE: The gate will close when the volume of the original sound decreases, cutting the original sound. DUCK (Ducking): The gate will close when the volume of the original sound increases, cutting the original sound. Volume balance between the direct sound (D) and the effect sound (W) Adjusts the time it takes for the gate to fully open after being triggered. Adjusts the time it takes for the gate to start closing after the source sound falls beneath the Threshold. Adjusts the time it takes for the gate to fully close after the hold time. Output level Disc Noise Level Hum Noise Type Hum Noise LPF Hum Noise Level Balance #1 Level #2 0­127 50Hz, 60Hz 200­8000 Hz, BYPASS 0­127 D100:0W­ D0:100W 0­127 31: LOFI COMPRESS (Lo-Fi Compress) This is an effect that intentionally degrades the sound quality for creative purposes. fig. MFX31 L in Compressor Lo-Fi L out 30: LOFI NOISE (Lo-Fi Noise) In addition to a lo-fi effect, this adds various types of noise such as white noise and disc noise. fig. MFX30 R in Compressor Lo-Fi R out L in Lo-Fi Noise Gen. Lo-Fi R in Parameter LoFi Type Value 1­9 L out Parameter Pre Filter Type LoFi Type Value 1­6 1­9 Post Filter Type R out Description Degrades the sound quality. Phase of the delay sound Adjusts the amount of the delay sound that's fed back into the effect. Adjusts the frequency above which sound fed back to the effect is filtered out. If you don't want to filter out any high frequencies, set this parameter to BYPASS. Gain of the low frequency range Gain of the high frequency range Volume balance between the direct sound (D) and the delay sound (W) Output level Parameter Feedback Mode Delay Left Delay Right Feedback Value NORMAL, CROSS 0­2000 ms, note -98­ +98 % HF Damp 200­8000 Hz, BYPASS HF Damp 200­8000 Hz, BYPASS Low Gain High Gain Balance #2 Level -15­ +15 dB -15­ +15 dB D100:0W­ D0:100W 0­127 Rate Depth Phase Low Gain High Gain Balance # Level 0. 05­10. 00 Hz 0­127 0-180 deg -15­ +15 dB -15­ +15 dB D100:0W­ D0:100W 0­127 Description Selects the way in which delay sound is fed back into the effect (See the figures above. ) Adjusts the time until the delay sound is heard. Adjusts the amount of the delay sound that's fed back into the effect. Adjusts the frequency above which sound fed back to the effect is filtered out. If you don't want to filter out any high frequencies, set this parameter to BYPASS. Frequency of modulation Depth of modulation Spatial spread of the sound Gain of the low frequency range Gain of the high frequency range Volume balance between the direct sound (D) and the delay sound (W) Output level 40 Effects editing parameters 41: TRIPLE TAP DELAY Produces three delay sounds; center, left and right. fig. MFX41 43: MULTI TAP DELAY This effect provides four delays. Each of the Delay Time parameters can be set to a note length based on the selected tempo. You can also set the panning and level of each delay sound. fig. MFX43 Balance D L in Left Tap Triple Tap Delay Feedback Center Tap 2-Band EQ Balance W L out Balance D L in Feed back Balance W Delay 1 Delay 3 2-Band EQ L out Balance W Right Tap Balance D Multi Tap Delay R out Delay 4 Delay 2 Balance W R in 2-Band EQ Parameter Delay Left/ Right/Center Feedback #1 HF Damp Value 0­4000 ms, note -98­ +98 % 200­8000 Hz, BYPASS Left/Right/ Center Level Low Gain High Gain Balance #2 Level 0­127 -15­ +15 dB -15­ +15 dB D100:0W­ D0:100W 0­127 Description Adjusts the time until the delay sound is heard. Adjusts the amount of the delay sound that's fed back into the effect. [. . . ] His client roster includes work with Babyface, Barry Gordy, Whitney Houston, Aslyn, Virgin Records, Capitol Records and more. His websites are: hustonmusic. net & smithandhuston. net 66 Profiles of the pattern creators Justin Berkovi Justin Berkovi - music producer, remixer, live artist and art director / designer. Justin has released five solo albums, played live sets all over the world and has run two independent record labels. He intends to pursue his love of cinema by creating music for film in the future and continues to liaise with manufacturers working on sound design and other projects. [. . . ]