User manual MACKIE SR-VLZ PRO
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Manual abstract: user guide MACKIE SR-VLZ PRO
Detailed instructions for use are in the User's Guide.
[. . . ] SR SERIES 24·4· 4BUS MIXING CONSOLE WITH PREMIUM XDRTM MIC PREAMPLIFIERS 2
SR24 ·4-VLZ PRO
U
GAIN MIC
U
GAIN MIC
GAIN MIC
-10dBV
TRIM
1
60 0 +15dB -45dB
-20 +20 +20
U U
U
GAIN MIC
-10dBV
-10dBV
TRIM
2
60 0 +15dB -45dB
-20
U
GAIN MIC
-10dBV
TRIM
3
60 0 +15dB -45dB 60 0 +15dB -45dB 60 0 +15dB -45dB 60 0 +15dB -45dB 60 0 +15dB -45dB 60 0 +15dB -45dB 60 0 +15dB -45dB 60 0 +15dB -45dB 60 0 +15dB -45dB 60 0 +15dB -45dB 60 0 +15dB -45dB 60 0 +15dB -45dB 60 0 +15dB -45dB
U
U
GAIN MIC
-10dBV
TRIM
4
AUX
U U U U U U U U U U U U U U
U
GAIN MIC
-10dBV
TRIM
5
AUX
PRE
O O
U
TRIM
6
AUX
PRE
O O
U
GAIN MIC
-10dBV
TRIM
7
AUX
PRE
O O
U
GAIN MIC
-10dBV
TRIM
-10dBV
TRIM
8
AUX
PRE
O O
9
AUX
PRE
O O
U
GAIN MIC
-10dBV
TRIM
10
AUX
PRE
O O
U
GAIN MIC
-10dBV
TRIM
11
AUX
PRE
O O
U
GAIN MIC
-10dBV
TRIM
12
AUX
PRE
O O
U
GAIN MIC
-10dBV
TRIM
13
AUX
PRE
O O
U
GAIN MIC
-10dBV
TRIM
14
AUX
PRE
O O
U
GAIN MIC
-10dBV
TRIM
15
AUX
PRE
O O
U
GAIN MIC
-10dBV
TRIM
16
AUX
PRE
O O
U
GAIN MIC
-10dBV
TRIM
17
AUX
PRE
O O
U
GAIN MIC
-10dBV
TRIM
18
AUX
PRE
O O
U
GAIN MIC
-10dBV
TRIM
19
AUX
PRE
O O
U
GAIN MIC
-10dBV
TRIM
U U
TRIM
TRIM
20
AUX
PRE
O O
60 0 +15dB -45dB
60 0 +15dB -45dB
60 0 +15dB -45dB
60 0 +15dB -45dB
60 0 +15dB -45dB
21 22
1 1
+15
U
23 24
U U U
LAMP
U
AUX
PRE
O O
U
AUX 1
+15
U U U U U U U U U U U U U U U
U
AUX 1
+15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15
U
AUX 1 1 1 1 1 1 1 1 1 1 1 1 1
U
AUX
PRE +15
U
1
PRE
1
PRE
1
PRE
1
PRE
1
CLIP
1
O O
1
+15
U
1
SOLO
O O
28
+20
U
O O
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
+15
U
10 7
PRE
O O
U
U
U
U
U
PRE
O O
2
PRE +15
O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O
PRE +15
U U U U U U U U U U U U U U U
2
PRE +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE
PRE
2
PRE
2
PRE
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
PRE +15
U
2
2
2
O O
2
+15
U
2
SOLO
O O
4 2
+20
U
O O
O O
+15
U
O O
+15
O O
+15
O O
+15
O O
+15
+15
U
U
U
U
U
0
3
O O
3
+15
O O O O O O O O O O O O O O O O O O O O O O O O O O O O
3
+15
U U U U U U U U U U U U U U
3
+15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15
U
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
O O
3
+15
U
O O
3
+15
U
O O
3
+15
U
3
SOLO
O O
TO AUX SEND
(EFX TO MONITOR) +20
U U
2
1-2
4 7 10
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
U
U
U
U
U
4
O O
4
+15
O O O O O O O O O O O O O O O O O O O O O O O O O O O O
4
+15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15
4
4
4
4
4
4
4
4
4
4
4 4 4 4 4 4
4
O O
4
+15
O O
4
+15
O O
4
+15
U
4
SOLO
O O
20
+20
O O
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
+20
30
TAPE RETURN
U
40
PRE
U
U
PRE
U U U U U U U U U U U U U U
U
PRE
U
PRE
U
PRE
U
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
U
PRE
5 5 5 5
O O
LEVEL SET 5
+15
LEFT
SOLO ASSIGN TO SUB
POST
O O
RIGHT
OPERATING LEVEL
5
POST
O O
5
POST
O O
5
POST
O O
5
POST
O O
5
POST
O O
5
POST
O O
5
POST
O O
5
POST
O O
5
POST
O O
5
POST
O O
5
POST
O O
5
POST
O O
5
POST
O O
5
+15
O O
5
+15
U U U U
5
+15 +15 +15
5
5
0dB = 0dBu
POST
+15
U U U U U U U U U U
POST
+15 +15 +15 +15 +15 +15 +15 +15
POST
POST
POST
POST
+15
U
POST
O O
POST
+15
U
O O
U
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
+15
U
GLOBAL AUX RETURN
U
U
U
U
U
6 6
POST
1-2 3-4
6
POST
O O
6
POST
O O
6
POST
O O
6
POST
O O
6
POST
O O
6
POST
O O
6
POST
O O
6
POST
O O
6
POST
O O
6
POST
O O
6
POST
O O
6
POST
O O
6
POST
O O
6
+15 +15 +15 +15 +15
6
6
6
6
O O
6
POST
+15
O O
POST
+15 +15 +15 +15 +15 +15 +15 +15
POST
POST
POST
POST
POST
+15
O O
6
+15
POST
O O
6
+15
O O
+15
SOLO
SUB
SOLO
RUDE SOLO LIGHT
POWER
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
AUX SEND MASTERS EQ
12k
U
STEREO AUX RETURNS EQ
HI
12k
U
U
EQ
U U U U U U U U U U U U U
U
EQ
12k -15
U U U U U U U U U U U U
U
EQ
HI
12k -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 12k 12k 12k 12k 12k 12k 12k 12k 12k 12k -15
U
U
EQ
HI HI HI HI HI HI HI HI HI HI HI
U
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
HI
12k
U
EQ
HI
12k
U
EQ
HI
12k
U
MODE
HI
12k +15
HI
12k
HI
12k
HI
12k
HI
12k
HI
TRACK
+15 -15
U
TRACK
+15 -15
U
TRACK
+15 -15
U
TRACK
+15 -15
U
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
+15
O O
+15
U
U
U
U
U
LEVEL
MID
-15 +15 -15 +15
PRE FADER IN PLACE AFL
MID
-15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15
MID
MID
MID
MID
MID
MID
MID
MID
MID
MID
MID
MID
MID
MID
MID
MID
MID
-15 +15
MID
-15 +15
HI MID
3k -15 +15
HI MID
3k
1 · 5
600 600 600
U U 5
2 · 6
5
3 · 7
5
4 · 8
5
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
SOLO
AUX
SUB
600
1. 5k FREQ 150 150 150 150 150 150 150 150 150 150 1. 5k FREQ 1. 5k FREQ 1. 5k FREQ 1. 5k FREQ 1. 5k FREQ 1. 5k FREQ 1. 5k FREQ 1. 5k FREQ 1. 5k FREQ 1. 5k FREQ 150
600
600
600
600
600
600
600
600
600
600
600
600
600
600
600
600
1. 5k FREQ 150
150
1. 5k FREQ
150
1. 5k FREQ
150
1. 5k FREQ
150
1. 5k FREQ
150
1. 5k FREQ
150
1. 5k FREQ
150
1. 5k
150
1. 5k FREQ
800Hz
LOW MID
100
U
800Hz
LOW MID
8k 100
U
100
U U U U U U U U U U U
8k
100
8k
100
8k
100
8k
100
8k
100
8k
100
8k
100
8k
100
8k
100
8k
100
8k
100
8k
100
8k
100
8k
100
8k
100
8k
8k
100
U
8k
100
U
8k
-15
U
+15
-15
U
+15
0
+10
0
+10
0
+10
0
+10
O O
MAX
U
U
U
U
U
AIR LOW
80Hz
AIR LOW
80Hz
AIR LOW
80Hz
AIR LOW
80Hz
LEVEL
LOW
80Hz
MAIN MIX
LOW
80Hz
LOW
80Hz -15 LOW CUT 75 Hz 18dB/OCT LOW CUT 75 Hz 18dB/OCT LOW CUT 75 Hz 18dB/OCT LOW CUT 75 Hz 18dB/OCT LOW CUT 75 Hz 18dB/OCT LOW CUT 75 Hz 18dB/OCT LOW CUT 75 Hz 18dB/OCT LOW CUT 75 Hz 18dB/OCT LOW CUT 75 Hz 18dB/OCT +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz -15 LOW CUT 75 Hz 18dB/OCT +15
80Hz
LOW
80Hz
LOW
80Hz
LOW
80Hz
LOW
80Hz
LOW
LOW
LOW
LOW
LOW
LOW
LOW
LOW
LOW
LOW
+15 LOW CUT 75 Hz 18dB/OCT
LOW
80Hz -15 +15 LOW CUT 75 Hz 18dB/OCT -15 +15 LOW CUT 75 Hz 18dB/OCT -15 +15 LOW CUT 75 Hz 18dB/OCT -15 +15 LOW CUT 75 Hz 18dB/OCT -15 +15 -15 +15
16kHz
16kHz
16kHz
16kHz
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
SOLO
SOLO
SOLO
SOLO
AUX 1-2
LOW CUT 75 Hz 18dB/OCT
LOW CUT 75 Hz 18dB/OCT
LOW CUT 75 Hz 18dB/OCT
LOW CUT 75 Hz 18dB/OCT
LOW CUT 75 Hz 18dB/OCT
TALKBACK
OL OL OL OL OL OL OL OL
OL
OL
OL
OL
OL
OL
OL
OL
OL
OL
OL
OL
OL
OL
L
R
-20 L R L R L R L R L R L R L R L R L R
L
R
-20
L
R
-20
L
R
-20
L
R
-20
-20
-20
-20
-20
-20
-20
-20
-20
-20
L
R
-20
L
R
-20
L
R
-20
L
R
-20
L
R
-20
L
R
-20
L
R
-20
L
R
-20
L
R
L
R
L
R
L
R
TAPE RETURN TO PHONES / C R
O O
MAX
SR24·4-VLZ PRO & SR32·4-VLZ PRO OWNER'S MANUAL
PAN
PAN
PAN
PAN
PAN
PAN
PAN
PAN
PAN
PAN
PAN
PAN
PAN
PAN
PAN
PAN
PAN
PAN
PAN
PAN
PAN
PAN
PAN
PAN
PAN
PAN
MUTE
MUTE / SOLO
dB dB dB dB dB dB dB dB
1
MUTE
MUTE / SOLO MUTE / SOLO MUTE / SOLO MUTE / SOLO MUTE / SOLO MUTE / SOLO MUTE / SOLO
MUTE
2
MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE
MUTE
3
MUTE
4
MUTE
5
6
7
8
9
10
11
12
13
14
MUTE
MUTE / SOLO
dB
15
MUTE
MUTE / SOLO
dB
16
MUTE
MUTE / SOLO
dB
17
MUTE
MUTE / SOLO
dB
18
MUTE
MUTE / SOLO
dB
19
MUTE
MUTE / SOLO
dB
20
21 22
MUTE
MUTE / SOLO
dB
23 24
MUTE
MUTE / SOLO
dB
L/R ASSIGN
L/R ASSIGN
L/R ASSIGN
L/R ASSIGN
PHONES / C-R LEVEL
MAIN MIX
SUB
MUTE / SOLO
dB
MUTE / SOLO
MUTE / SOLO
MUTE / SOLO
MUTE / SOLO
MUTE / SOLO
1
10 SOLO 5 10 SOLO 5 10 SOLO 5 10 SOLO 5 10 SOLO 5 10 SOLO 5 10 SOLO 5 10 SOLO 5 10 SOLO 5 10
SUB
2
dB
SUB
3
dB
SUB
4
dB
TAPE RETURN TO MAIN MIX
LEFT/RIGHT
dB
dB
dB
dB
dB
dB
dB
10 SOLO 5 1-2 U 5 3-4 10 L-R 20 30 40 50 60
O O O O O O O O O O
SOLO 5 1-2 U 5 3-4 10 L-R 20 30 40 50 60 40 50 60 40 50 60 40 50 60 30 30 30 30 40 50 60
O O
10 10 SOLO 5 5 1-2 U 5 3-4 10 10 L-R 20 20 20 L-R L-R 10 L-R 20 10 L-R 3-4 3-4 5 5 3-4 10 20 30 40 50 60
O O
SOLO 5 1-2 U 5 U U 1-2 1-2 5 5
10 SOLO SOLO SOLO SOLO SOLO
SOLO
10
SOLO
10
SOLO
10 10 10 10
10
10
10
SOLO
10 5 1-2 U 5 3-4 10 L-R 20 30 40 50 60
O O
10 5 1-2 U 5 3-4 10 L-R 20 30 40 50 60
O O
10 5 1-2 U 5 3-4 10 L-R 20 30 40 50 60
O O
10 5 1-2 U 5 3-4 10 L-R 20 30 40 50 60
O O
5 1-2 U 5 3-4
5
5
5
5
5
5 1-2 U 5 3-4 10 L-R 20 30 40 50 60
O O
U
1-2
U
1-2
U
1-2
U
1-2
U
1-2
U
1-2
U 5 3-4 10 L-R 20 30 40 50 60
O O
1-2
U 5 3-4 10 L-R 20 30 40 50 60
O O
1-2
U 5 3-4 10 L-R 20 30 40 50 60
O O
1-2
U 5 3-4 10 L-R 20 30 40 50 60
O O
1-2
U 5 3-4 10 L-R 20 30 40 50 60
O O
U 5 10 20 30 40 50 60
O O
U 5 10 20 30 40 50 60
O O
U 5 10 20 30 40 50 60
O O
U 5 10 20 30 40 50 60
O O
5
5
5
5
5
5
3-4
3-4
3-4
3-4
3-4
10
10
10
10
10
10
20
L-R
20
L-R
20
L-R
20
L-R
20
L-R
20
30
30
30
30
30
30
40 50 60
40 50 60
40 50 60
40 50 60
40 50 60
40 50 60
O O
O O
O O
O O
O O
O O
CAUTION
AVIS
12. Damage Requiring Service -- This Mackie product should be serviced only by qualified service personnel when: A. Objects have fallen, or liquid has spilled into this Mackie product; or C. This Mackie product does not appear to operate normally or exhibits a marked change in performance; or E. [. . . ] Through the stereo channel's STEREO LINE IN (4) TRS inputs, there is 20dB of attenuation fully down and 20dB of gain fully up; with a "U" (unity gain) label at 12:00 (knob halfway up).
POST
O O
5
POST
O O
5
+15
U
+15
U
6
POST
O O
POST
O O
6
+15
+15
U
EQ
12k
U
EQ
12k
27. PRE
Aux sends 1 & 2 are always pre-fader, designed for stage monitor applications. Aux sends 5 & 6 are always post-fader, designed for parallel effects applications. Aux sends 3 & 4, thanks to this switch, can be set to be pre- or post-fader, so they can be used for monitors or effects. PRE-FADER: With the PRE switch engaged (down), AUX 3 and 4 deliver signals post-insert, post-low cut, post EQ, post-mute, and pre-fader. Any changes made to the channel controls, except the fader, will affect the aux send signal. POST-FADER: With the PRE switch disengaged (up), AUX 3 and 4 deliver signals post-insert, post-low cut, post-mute, post-EQ and post-fader. Any changes made to the channel controls will affect the aux send signal.
-15
U
HI
HI
+15
-15
U
+15
MID
-15 +15 -15
U
HI MID
3k +15
600
150 1. 5k FREQ
800Hz -15
U
LOW MID
100
U
8k
+15
LOW
80Hz -15 +15 -15 +15
LOW
80Hz
LOW CUT 75 Hz 18dB/OCT
OL
OL
L
R
-20
L
R
-20
PAN
PAN
MUTE
MUTE / SOLO
dB
20
21 22
MUTE
MUTE / SOLO
dB
10 5 U 5
SOLO
10 5
SOLO
1-2
U 5
1-2
3-4 10 20 30 40 50 60
O O
3-4 10
L-R
20 30 40 50 60
O O
L-R
19
Mono channels
IC UM
Stereo channels
U
-10dBV GA
IN
TRIM
TRIM
EQ: (28 through 34)
The mixer has low shelving, mid peaking and high shelving EQ. "Shelving" means that the circuitry boosts or cuts all frequencies past the specified frequency. For example, boosting the LOW EQ knob boosts bass frequencies at 80Hz and below. "Peaking" means that only a selected "hill" of frequencies surrounding a center "hilltop" frequency is affected by the EQ control. All EQ gain controls provide up to 15dB of boost (clockwise) or cut (counter-clockwise). They are flat (no boost or cut) at their center detents, effectively bypassing their circuits. With excessive amounts, the signal may become too hot and overload subsequent circuitry. Should this happen, either back off the EQ gain, or repeat the SET THE LEVELS on page 8. The following graphs show how the frequency response changes when the various controls are adjusted. (The graphs are simplified for entertainment and enlightenment purposes only).
31. LOW MID
The stereo channels employ a 2-stage fixedfrequency midrange EQ:
+15 +10 +5
20
-20 +20
U U
60 0 +15dB -45dB
21 22
AUX
PRE
O O
AUX
PRE
1
1
O O
+15
U
+15
U
0
5 10 15 20Hz 100Hz 1kHz 10kHz 20kHz
LOW MID
PRE
O O
2
PRE
O O
2
LOW MID is centered at 800Hz.
+15
U
+15
U
3
O O
3
O O
+15
U
+15
U
+15 +10 +5
4
O O
4
O O
0
5 10 15 20Hz 100Hz 1kHz 10kHz 20kHz
HI MID
+15
+15
HI MID is centered at 3kHz
U
PRE
U
PRE
POST
O O
5
POST
O O
5
+15
U
+15
U
6
POST
O O
POST
O O
6
+15
+15
Midrange EQ is often considered the most dynamic, because the frequencies that define any sound are almost always found in this range.
U
EQ
12k
U
EQ
12k
HI
HI
33. This frequency represents the punch in kick drums, bass guitar and fat synth patches.
+15 +10 +5
-15
U
+15
-15
U
+15
MID
-15 +15 -15
U
HI MID
3k +15
600
150 1. 5k FREQ
800Hz -15
U
LOW MID
100
U
8k
+15
LOW
80Hz -15 +15 -15 +15
LOW
80Hz
28. Boost it to add sizzle and definition to sounds with high-frequency transients, such as cymbals. Reduce it to attenuate sibilance or to mask tape hiss.
+15 +10 +5
0
5 10 15 20Hz 100Hz 1kHz 10kHz 20kHz
LOW
LOW CUT 75 Hz 18dB/OCT
This graph shows various settings of the LOW control, with LOW CUT not engaged.
OL
OL
34. LOW CUT
This switch (only on the mono channels) cuts the bass frequencies below 75Hz at a rate of 18dB per octave. To prevent muddy mixes, use low cut on every mono channel except those which carry kick drum, bass guitar or other bass-intensive sounds. [. . . ] If you bring your product to an Authorized Service Center and they can't find anything wrong with it, you may be charged a service fee. If the Authorized Mackie Service Center is located in another city, pack the product in its original shipping carton. More information on packing can be found in the Service section of this manual. Contact the Authorized Mackie Service Center to arrange service or bring the product to them. [. . . ]
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