User manual MACKIE PPM808S DATASHEET

[. . . ] PPM 808S The PPMTM Series mixers are comprised of three compact powered mixers, designed for portable live sound applications. Each powered mixer in the PPM Series has two graphic equalizers, built-in stereo digital effects with 16 presets, and two FR Series HighCurrent power amplifiers. Eight Channel Stereo Powered Mixer Like all Mackie mixers, the PPM Series mixers are designed for rugged, day-in and day-out road use. [. . . ] Each channel also includes a level-set LED for easy level setting. Channel EQs are as follows: 12 kHz shelving high-frequency EQ (±15 dB), 2. 5 kHz peaking mid-frequency EQ (±12 dB), and 80 Hz shelving low-frequency EQ (±15 dB). A global phantom power switch applies +15 Vdc to pins 2 and 3 of the XLR inputs, and a break switch mutes channels 1-6 while break music is playing. Left and right RCA tape inputs are provided with an adjacent input level control for connecting a tape deck or CD player. Both the Monitor Master and Main Master rotary controls have corresponding EFX controls to mix the effects signal with the monitor and main outputs. Eight LEDs indicate the output signal level for each main and monitor output. Outputs include a 1/4" TRS mixer line output, a 1/4" TRS monitor line output, and left and right RCA tape line outputs. (continued on page 6) Applications Restaurants and Bars Meeting Rooms Churches/Sanctuaries Outdoor Gatherings Related Products PPM 406M and PPM 808M 1 OF 2 PAGES 1 OF 6 PAGES PPM 808S MIXER PPM 808S MIXER PPM 808S Mixer Section Frequency Response Mic Input to Main Mixer Output (Trim at 0 dB): +0, ­1 dB, 32 Hz to 20 kHz +0, ­3 dB, 16 Hz to 80 kHz Mic Input to Power Amp Output @ rated power output: +0, ­1 dB, 32 Hz to 20 kHz +0, ­3 dB, 16 Hz to 55 kHz Distortion THD and SMPTE IMD; 20 Hz to 20 kHz Mic Input to Main Mixer Output: < 0. 005% @ +4 dBu output Mic Input to Power Amp Output: < 0. 15%, 250 mW to rated power Common Mode Rejection Ration (CMRR) 60 dB @ 1 kHz, Trim @ 0 dB Noise 20 Hz to 20 kHz BW (150 source impedance) Equivalent Input Noise (EIN): ­127 dBu Residual Output Noise: Main Mixer, Monitor, & Effects outputs Channel & Master levels off ­95 dBu Main Mixer Output Noise: Master @ nominal (­10 dB), all channels off ­92 dBu Master & 1 input channel @ nominal (­10 dB & ­20 dB), Trim @ 0 dB ­85 dBu Crosstalk Adjacent Inputs or Input to Output: Fader Off Break Switch Mute Input Level Trim Control Range 0 to ­40 dB Phantom Power +15 Vdc Equalization Rumble Reduction: 75 Hz, ­18 dB/octave Channel EQ: High ±15 dB @ 12 kHz Mid ±12 dB @ 2. 5 kHz Low ±15 dB @ 80 Hz Graphic EQ (9 bands): Q = 1. 414, ISO octave centers ±15 dB @ 63, 125, 250, 500 1 k, 2 k, 4 k, 8 k, 16 kHz Main Mixer Section Rated Output Main Mixer, Monitor, & Effects: Maximum Main Mixer Section Output: +4 dBu +20 dBu ­90 dB @ 1 kHz ­90 dB @ 1 kHz ­80 dB @ 1 kHz Powered Mixer Maximum Input Levels Mic Input: ­20 dBu, Trim @ 0 dB (HI) +20 dBu, Trim @ 40 dB (LOW) Line Input: 0 dBu, Trim @ 0 dB (HI) +40 dBu, Trim @ 40 dB (LOW) Insert Input: +20 dBu Stereo Line Input: +20 dBu Tape Input: +20 dBu Effects Return: +20 dBu Power Amp In: +22 dBu Input Sensitivity Minimum Input Level to produce +4 dBu @ Main Mixer Output Mic Input: ­68 dBu Insert Input: ­28 dBu Line Input: ­48 dBu Stereo Line Input: ­28 dBu Tape Input: ­18 dBu Effects Return: ­18 dBu Maximum Voltage Gain Mic Input to Insert Output: Tape Output: Main Mixer Output: Line Input to Insert Output: Tape Output: Main Mixer Output: Stereo Line Input to Tape Output: Main Mixer Output: Tape Input to Tape Output: Main Mixer Output: Effects Return to Main Mixer Output: Monitor Output: Input Impedance Mic Input: Insert Input: Line Input: Stereo Line Input: Tape Input: Effect Return: Power Amp In: PPM 808S Technical Specifications PPM 808S 40 dB 60 dB 72 dB 20 dB 20 dB 52 dB 20 dB 32 dB 10 dB 22 dB 22 dB 22 dB 3 k, balanced 10 k, unbalanced 40 k, balanced 10 k, unbalanced 10 k, unbalanced 10 k, unbalanced 10 k, unbalanced 2 OF 6 PAGES PPM 808S Output Impedance Main Mixer Output: Insert Output: Tape Output: Monitor Output: Effects Send: Power Amp Out: Digital Effects Resolution: Sample Rate: Bandwidth: 150 150 150 150 150 0. 032 @ 1 kHz 16-bit, 2-channel 31. 25 kHz 15. 6 kHz Powered Mixer Damping Factor > 250 @ 1 kHz Amp Input Impedance 10 k unbalanced, 20 k balanced Input Sensitivity 1. 76 volts (+7. 1 dBu) for rated power into 4 ohms Gain (Amp In to Speaker Out) 26. 4 dB (21 V/V) Maximum Input Level 9. 75 volts (+22 dBu) Rise Time < 6. 2 µs Slew Rate > 50 V/µs High Frequency Overload and Latching: No latch up at any frequency or level. High Frequency Stability: Unconditionally stable, driving any reactive or capacitive load Turn On Delay: 3 seconds AC Power Requirements United States: 120 Vac, 60 Hz Europe: 240 Vac, 50 Hz Japan: 100 Vac, 50/60 Hz Korea: 220 Vac, 60 Hz (Capable of operation from 75% to 110% of rated line voltage) Physical Height: Width: Overall Depth: Weight: 20. 5" (521 mm) 11. 7" (297 mm) 11. 7" (297 mm) VU Meters Main and Monitor 8 segments: Clip, +5, 0, ­5, ­10, ­15, ­20, ­30 Power Amplifier Section Maximum Power at 1% THD, midband, both channels driven 600 watts per channel into 2 450 watts per channel into 4 300 watts per channel into 8 Continuous Sine Wave Average Output Power, both channels driven (rated power) 340 watts per channel into 4 from 40 Hz to 20 kHz, with no more than 0. 15% THD 240 watts per channel into 8 from 40 Hz to 20 kHz, with no more than 0. 10% THD Power Bandwidth < 10 Hz to 30 kHz (+0, ­1 dB) @ rated power into 4 Frequency Response < 10 Hz to 30 kHz (+0, ­1 dB) < 10 Hz to 55 kHz (+0, ­3 dB) Distortion THD, SMPTE IMD: Signal-to-Noise Ratio > 105 dB below rated power into 8 Channel Separation > 75 dB @ 1 kHz < 0. 10% @ 8 < 0. 15% @ 4 11. 7 inches (297 mm) 20. 5 inches (521 mm) 13. 0 inches (330 mm) 36 pounds (16. 3 kg) 13. 0" (330 mm) 3 OF 6 PAGES PPM 808S U Powered Mixer U 1 MON O O U 2 MON O O U 3 MON O O U 4 MON O O 5 MON O O U 6 MON O O U 7 MON O O U 8 MON CUSTOM 32-BIT PRECISION DIGITAL STEREO EFFECTS PROCESSING POWER MASTER OUTPUT SECTION 63 125 250 500 1K 2K 4K 8K 16K 15+ 10 5 0 5 10 15O O O O O O +15 U +15 U +15 U +15 U +15 U +15 U +15 U +15 U NORMAL U LEVEL CLIP 5 +10 EFX O O EFX O O EFX O O EFX O O EFX O O EFX O O EFX O O EFX O O +15 EFX CLIP +10 U +10 U +10 U +10 U +10 U +10 U +10 U +10 U 10 EFX BYPASS HI 12kHz -15 +15 U -15 +15 U HI 12kHz -15 +15 U HI 12kHz -15 +15 U HI 12kHz -15 +15 U HI 12kHz -15 +15 U HI 12kHz -15 +15 U HI 12kHz -15 +15 U HI 12kHz 12 0 EFX DRIVE LEVEL 5 0 5 10 -15 EFX TO MON U 0 5 10 15 20 EFX WIDE MID 2. 5kHz -12 +12 U -12 +12 U MID 2. 5kHz -12 +12 U MID 2. 5kHz -12 +12 U MID 2. 5kHz -12 +12 U MID 2. 5kHz -12 +12 U MID 2. 5kHz -12 +12 U MID 2. 5kHz -12 +12 U MID 2. 5kHz LOW 80Hz -15 +15 -15 +15 LOW 80Hz -15 +15 LOW 80Hz -15 +15 LOW 80Hz -15 +15 LOW 80Hz -15 +15 LOW 80Hz -15 +15 LOW 80Hz -15 +15 LOW 80Hz REVERSE GATED CATHEDRAL LG. ROOM DELAY 1 DELAY 2 DELAY 3 DELAY 4 CHORUS FLANGE PHASER SPRING +12dB 30 MONITOR EQUALIZER 75Hz RUMBLE REDUCTION MONITOR MASTER PARAMETERS PAN L R L R 63 NORMAL 125 250 500 1K 2K 4K 8K 16K 15+ 10 5 0 5 10 15O O O O U LEVEL CLIP 5 +10 PAN L R PAN L R PAN L R PAN L R PAN L R PAN L R PAN NORMAL +15 10 5 NORMAL INPUT LEVEL SET NORMAL INPUT LEVEL SET NORMAL INPUT LEVEL SET NORMAL INPUT LEVEL SET NORMAL INPUT LEVEL SET NORMAL INPUT LEVEL SET NORMAL INPUT LEVEL SET NORMAL INPUT LEVEL SET 0 10 0 REVERBS DELAYS CHORUS FLANGE PHASER 10 0 5 10 -15 EFX TO MAIN U 0 5 10 15 20 TIME LOW HI LOW HI LOW HI DAMPING DEPTH LOW HI LOW HI LOW HI LOW HI LOW HI RATE U U U U U U U U +12dB 30 MAIN-STEREO/MONO EQUALIZER O O +20dB VOLUME CH. 1 O O +20dB VOLUME CH. 2 O O +20dB VOLUME CH. 3 O O +20dB VOLUME CH. 4 O O +20dB VOLUME CH. 5 O O +20dB VOLUME CH. 6 O O +20dB VOLUME CH. 7 O O +20dB MAIN MASTER L R VOLUME CH. 8 PHANTOM POWER CH 1-8 BREAK (MUTES CH 1-6) 75Hz RUMBLE REDUCTION INSERT INSERT INSERT INSERT INSERT INSERT LEFT/MONO LEFT/MONO POWER AMP ROUTING STEREO MAINS LEFT = MAIN RIGHT = MONITOR 808S MAINS L POWER AMP IN 2 X 600W STEREO LINE LINE LINE LINE LINE LINE STEREO MIC/ LINE HI-Z RIGHT STEREO MIC/ LINE HI-Z RIGHT (OVERRIDES INTERNAL EFX) EFX FOOT SWITCH SEND EFFECTS MONITOR LINE OUT R POWER AMP IN TAPE IN U MIC 1 MIC 2 MIC 3 MIC 4 MIC 5 MIC 6 MIC 7 MIC 8 O O L +15 R LEFT RETURN RIGHT RETURN L MIXER OUT R MIXER OUT COMPRESSOR OUT IN LEVEL L R TAPE OUT 120 VAC 60HZ 325W ON CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN 808S WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT 2 X 600W STEREO SERIAL NUMBER POWER AVIS: RISCQUE DE CHOC ÉLECTRIQUE -- NE PAS OUVRIR EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. REFER SERVICING TO QUALIFIED PERSONNEL. MANUFACTURING DATE REPLACE WITH THE SAME TYPE FUSE AND RATING. DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE. If an external linelevel signal is plugged into these jacks, it breaks the internal connection and only the external signal is sent to the power amp inputs. The amplifiers feature Mackie's FR (Fast Recovery) design, which eliminates latching that can occur when the signal level approaches clipping. In addition, a built-in compressor can be switched on to protect the amplifiers from input overload. [. . . ] For this reason, any current LOUD Technologies product may differ in some respect from its published description, but will always equal or exceed the original design specifications unless otherwise stated. Mackie and the "Running Man" figure are registered trademarks of LOUD Technologies Inc. www. mackie. com 16220 Wood-Red Road NE, Woodinville, WA 98072 USA 800. 898. 3211, fax 425. 487. 4337, sales@mackie. com UK +44. 1268. 570. 808, fax +44. 1268. 570. 809, uk@mackie. com Part No. [. . . ]