User manual MACKIE DFXA€12

[. . . ] DFX SERIES OWNER'S MANUAL DFX·6 AND DFX·12 6- AND 12-CHANNEL MIXERS WITH DIGITAL EFFECTS 12 CHANNEL COMPACT INTEGRATED LIVE SOUND MIXER OPTIONAL USES FOR INSERTS DFX12 MIXER CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. REFER SERVICING TO QUALIFIED PERSONNEL. WARNING: SERIAL NUMBER MANUFACTURING DATE MONO PLUG STEREO PLUG AVIS: RISQUE DE CHOC ELECTRIQUE -- NE PAS OUVRIR UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE. DEBRANCHER AVANT DE REMPLACER LE FUSIBLE INSERT ALL THE WAY IN TO THE "SECOND CLICK" TIP OUT TO EFFECTS DEVICE RING RETURN FROM EFFECTS REPLACE WITH THE SAME TYPE FUSE AND RATING. DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE POWER DIRECT OUT WITH SIGNAL INTERRUPTION TO MASTER FOR USE AS AN EFFECTS LOOP (TIP = SEND, RING = RETURN) CONCEIVED AND DESIGNED BY MACKIE DESIGNS INC · WOODINVILLE · WA · USA · MADE IN CHINA ·FABRIQUE AU CHINE · COPYRIGHT ©2001 · THE FOLLOWING ARE TRADEMARKS OR REGISTERED TRADEMARKS OF MACKIE DESIGNS INC. : "MACKIE", "EMAC", AND THE "RUNNING MAN" FIGURE · PATENT PENDING ON 100 240 VAC, 50/60 Hz, 30 WATTS 1 MIC 2 MIC 3 MIC 4 MIC 5/6 MIC 7/8 MIC 9/10 11/12 L STEREO AUX RETURN AUX SEND R 1 MON MAIN OUT LEFT RIGHT 1 (MONO) 2 2 EFX BAL/UNBAL BAL/UNBAL BAL/UNBAL BAL/UNBAL BAL/UNBAL BAL/UNBAL BAL/UNBAL BAL/UNBAL LINE IN LINE IN LINE IN LINE IN (MONO) LINE IN L (MONO) LINE IN L (MONO) LINE IN L (MONO) LINE IN L CD/TAPE IN L TAPE OUT L EFX FOOT SWITCH BAL/UNBAL INSERT INSERT INSERT INSERT R R R R R R PHONES LEVEL SET MIC U 1 +50 LEVEL SET MIC U 2 +50 LEVEL SET MIC U 3 +50 LEVEL SET MIC U 4 +50 LEVEL SET MIC U 5/6 +40 LEVEL SET MIC U 7/8 +40 LEVEL SET 9/10 U LEVEL SET 11/12 U POWER DFX·12 12 CHANNEL INTEGRATED LIVE SOUND MIXER +12 +12 PHANTOM POWER +48V MIN -20dB +30dB MIN -20dB +30dB MIN -20dB +30dB MIN -20dB +30dB MIN -20dB +20dB MIN -20dB +20dB -20dB +20dB -20dB +20dB GAIN LOW CUT 75 Hz GAIN LOW CUT 75 Hz GAIN LOW CUT 75 Hz GAIN LOW CUT 75 Hz GAIN GAIN GAIN GAIN 0 0 U EQ HI 12k U EQ HI 12k U EQ HI 12k U EQ HI 12k U EQ HI 12k U EQ HI 12k U EQ HI 12k U EQ HI 12k LEFT RIGHT CLIP 16 12 -15 +15 U -15 +15 U -15 +15 U -15 +15 U -15 +15 U -15 +15 U -15 +15 U -15 +15 U ­12 LOW 80Hz ­12 60 250 MAIN AUX 1 LOW 80Hz LOW 80Hz LOW 80Hz LOW 80Hz 1K 3. 5K BYPASS 12K NORM 8 4 LOW 80Hz LOW 80Hz LOW 80Hz -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 EQ 0 4 AUX U O O AUX U O O AUX U O O AUX U O O AUX U O O AUX U O O AUX U O O AUX U O O DIGITAL STEREO EFFECTS PROCESSOR U O O BYPASS LEVEL SET DELAY 1 DELAY 2 DELAY 3 DELAY 4 CHORUS FLANGE PHASER SPRING 8 12 16 20 24 30 0 = +4dBu 1 MON +6 1 MON +6 1 MON +6 1 MON +6 1 MON +6 1 MON +6 1 MON +6 1 MON +6 REVERSE GATE CATHEDRAL LG. [. . . ] The stereo channel AUX knobs control a mono sum of the channel's stereo signals. For example, on the DFX·12, channel 9 (L) and 10 (R) mix together to feed that the channel 9/10 AUX knobs. The master AUX SEND (38, 41) knobs adjust the overall aux output levels. These are more than mere effects and monitor sends: they can be used to generate separate mixes for recording or "mix-minuses" for broadcast. the center position, the left and right channel signals pass through to the main mix unaffected. If PAN is turned left, the right channel is attenuated; if turned right, the left side is attenuated. LEVEL SET 11/12 U 24. MUTE When you engage a channel's MUTE switch, its signal disappears from the main mix, tape, AUX 1, AUX 2 and headphones. The only exception is the INSERT (4) outputs. -20dB +20dB GAIN U EQ HI 12k 25. FADER This fader is the master level control for the channel's signal. Subtle adjustment of the channels' fader positions is the key to a finelytuned mix. Typically (providing the GAIN (16) control is set correctly) the fader position will be positioned somewhere between 0 dB ("U") and ­30 dB. If you have a fader set all the way up, that's usually a sign that your GAIN is set too low. Conversely, if the fader is set way down, your GAIN may be set too high. -15 +15 U LOW 80Hz -15 +15 AUX U O O 1 MON +6 U O O 2 EFX 21. AUX 1/MON AUX 1 is designed for feeding a separate monitor mix to the musicians on stage, via the AUX 1 SEND (7) output jack. The signal is tapped off before the channel EQ section, and before the channel fader. Only the channel GAIN, MUTE and LOW CUT will affect the output to your monitors. +6 "U" = UNITY GAIN Mackie mixers have a "U" mark on almost every level control. This stands for "unity gain, " meaning there is no change in signal level. Once you have adjusted the input signal to line-level, you can set every control at "U" and your signals will travel through the mixer at optimal levels. What's more, all the labels on our level controls are measured in dog biscuits (dB), so you'll know what you're doing level-wise if you choose to change a control's settings. L R PAN 11/12 MUTE dB 22. AUX 2/EFX AUX 2 is designed for feeding the EMAC internal effects processor and the inputs of parallel effects devices. It is post-fader, so any changes to the channel controls will affect the AUX 2 signal. In addition to feeding the inputs of the EMAC, it also feeds the AUX 2 SEND (8) output. 10 OL 5 U 5 10 20 30 40 50 60 O O 26. OL (OVERLOAD) LED This handy feature gives you the chance to take care of any signal overload before it is made worse by turning up the fader. [. . . ] For example, if a left output is presumed dead, switch the left and right cords, at the mixer end. If the left speaker is still dead, it's not the mixer. Noise · Turn the channel Faders , AUX RETURN and AUX SEND controls down, one by one. If the sound disappears, it's either that channel or whatever is plugged into it, so unplug whatever that is. Power · Our favorite question: Is the POWER switch on?· If the POWER LED is blinking, switch the mixer off for a few seconds, and disconnect all connections except the linecord. [. . . ]