User manual MACKIE CR1604-VLZ DATASHEET

[. . . ] ® LIVE/RECORDING CONSOLES phone jacks (tip=send, ring=return, sleeve=ground), delivering and accepting nominal levels from ­10dBV to +22dBu. OTHER INPUTS: The mixer shall include 8 bal/ unbal Aux Return inputs, forming four stereo pairs, using 1/4" TRS phone jacks, accepting nominal levels from ­10dBV to +22dBu; and 1 stereo pair of Tape In jacks, using unbalanced RCA-type phono jacks, accepting nominal levels from ­10dBV to +22dBu. [. . . ] 16 Balanced/ unbalanced (bal/unbal) line inputs shall be wired in parallel, using 1/4" TRS phone jacks, accepting nominal levels from ­40dBu to +22dBu. Each channel shall include a pre-fader Insert point, using 1/4" TRS MORE INFORMATION THESE SPECIFICATIONS ARE AVAILABLE ON 3. 5" PC & MAC FORMAT DISK IN POPULAR WORD PROCESSOR FORMATS s CALL 800/258-6883 FAX 425/487-4337 OUTSIDE THE U. S. , CALL 425/487-4333 FAX 425/485-1152 TRS phone jacks, delivering nominal levels from ­10dBV to +22dBu; and 1 stereo Headphones output, using an unbalanced 1/4" TRS phone jack (tip=left, ring=right, sleeve=ground). In addition to the controls listed in section 2 (MIXER INPUTS), each channel shall include 4 rotary Aux Send controls and 1 Shift switch, providing up to 15dB gain, routing signals to Aux Sends 1, 2, 3 and 4 when the Shift switch is disengaged, and to Aux Sends 1, 2, 5 and 6 when the Shift switch is engaged; 4 rotary equalization (EQ) controls: ±15dB fixed 12kHz shelving gain, ±15dB midrange peaking gain, 100Hz ­ 8kHz midrange frequency, and ±15dB fixed 80Hz shelving; 1 rotary Pan control, 4dB attenuation panned center; 1 Mute switch; 1 dualmode solo switch (AFL or PFL, globally switched); 3 output Assign switches, delivering the channel's signal, relative to its Pan setting, to the Main L-R Mix, Submasters 1­2 and Submasters 3­4; and 1 channel Fader, providing up to 10dB above unity gain. Additionally, each channel shall include two LED indicators; a ­20/Solo LED acting as a Signal Present indicator by flickering and as a channel Solo indicator by glowing steadily; and an OL/ Mute LED, acting as an overload indicator by flickering and as a channel Mute indicator by glowing steadily. The mixer shall have 1 Main Mix stereo fader, providing up to 10dB gain; 4 Submaster mono faders, each providing up to 10dB gain; independent left and right Assign to Main Mix switches for each Submaster; 1 Control Room/Phones level rotary stereo control, providing up to 10dB gain; 1 Source Matrix, including 4 switches to deliver any combination of stereo signals to the Control Room, Phones and Meters, including Main Mix, Submasters 1­2, Submasters 3­4 and Tape, which shall be replaced by solo signals resulting from the engagement of any Solo switch; 1 rotary stereo Tape In level control, providing up to 20dB gain; 1 Tape to Main Mix switch; 1 Solo Mode switch to globally determine solo type (prefader listen or after-fader listen, in place); 1 rotary stereo Solo level control, providing up to 10dB gain; 4 rotary stereo Aux Return level controls, providing up to 20dB gain; two Effects to Monitor rotary controls, providing up to 15dB gain, delivering summed Aux Return 1 or 2 signals to Aux Send 1 or 2, respectively; an Aux Return 3 Assign switch, used in conjunction with a 1­2/3­4 switch, delivering Aux Return 3 signals to one output pair, including Main Mix, Submasters 1­2 and Submasters 3­4; an Aux Return 4 to Control Room/ Phones Only switch; a global Aux Return Solo switch with associated LED; 2 rotary Aux Send Master controls for Aux Sends 1 and 2, providing up to 10dB above unity gain; a Solo switch with associated LED for each of Aux Sends 1 and 2; a blinking master Solo indicator LED, a Level Set LED, indicating a PFL solo condition, a Power indicator LED; and a Phantom Power indicator LED. The mixer shall include 1 stereo 12-segment LED meter with points at ­30, ­20, ­10, ­7, ­4, ­2, 0, +2, +4, +7, +10dB and Clip. The source signals for the meters shall be the same signals selected in the Source Matrix, and a solo condition shall replace the Source selection with the soloed channel(s). The meters shall be calibrated so that a 0dBu signal at the Control Room output shall be indicated as 0dB on the meters, ±1LED. The mixer shall be made of steel and aluminum, painted dark gray and black with light gray graphics. Included rack-mount brackets shall allow the mixer to be mounted in a rack system, with either the chassis top or the control knobs' tops to be flush with the rack rail. Additionally, the jackfield portion of the mixer, referred to as the Pod, shall be adjustable in three different positions; Desktop Mode (stock configuration), with jackfield connections to rear; Rack Mount mode, with the Pod mounted to the bottom of the main assembly; and Roto-Pod mode, requiring a RotoPod-VLZ (not included), with jackfield ® connections on top. Dimensions of the mixer shall be, in Desktop Mode, 4. 9" (124mm) in height, 17. 4" (442mm) in width and 17. 9" (455mm) in depth; in Rackmount Mode, 9. 3" (236mm) in height, 17. 4" (442mm) in width and 12. 8" (325mm) in depth; in RotoPod Mode, 6. 6" (168mm) in height, 17. 4" (442mm) in width and 17. 4" (442mm) in depth. [. . . ] "Mackie. ", and VLZ are registered trademarks of Mackie Designs Inc. MACKIE DESIGNS INC. 16220 Wood-Red Road NE · Woodinville, WA 98072 USA Toll-Free 800/258-6883 · FAX 425/487-4337 Outside the U. S. , Phone 425/487-4333 · FAX 425/485-1152 [. . . ]