User manual JEFF ROWLAND MC6

[. . . ] MC-6 Multi-Channel Power Amplifier Owner's 1 Manual Introduction W elcome to the Jeff Rowland Design Group "family" and congratulations on your purchase of what is unquestionably one of the world's finest audio power amplifiers. W ith its combination of features such as variable multi-channel configuration, numerous function controls, interconnect possibilities, precision electronic circuitry, and accurately machined chassis components throughout, your MC-6 Multi-Channel Power Amplifier will offer you many years of musically satisfying enjoyment. P lease take a few minutes to read the remainder of this Owner's Manual before proceeding with the installation of the amplifier. 2911 North Prospect Street Colorado Springs, CO 80907 T elephone: 719-473-1181 F ax: 719-633-4158 E -mail: jrdg@jeffrowland. com W eb: www. jeffrowland. com thorough understanding of the operational features will allow you to gain the maximum performance and ease of use for which this amplifier was designed. [. . . ] This flexibility means monoblock, two-channel stereo, bi-amplification, tri-amplification, and a number of home theater applications can be realized within a single amplifier chassis with a few easy adjustments. Within the amplifier there are two high-current amplifier sections and four standard amplifier sections. These amplifier sections can be linked to each other to configure the amplifier for different applications. The configuration procedure for the MC-6 Multi-Channel Amplifier is a quick and simple procedure, able to be performed within minutes with no additional tools or disassembly required. F or certain configurations, the outputs of multiple channels must be linked using short sections of Output Terminal Linking Cable. Linking Cables manufactured specifically for the MC-6 are available from Jeff Rowland Design group or can be made from the same basic materials as your selected loudspeaker cables. Please have your loudspeaker cable manufacturer contact the Jeff Rowland Design Group factory for proper instruction in the construction of these linking cables. T echnical Note: Linking (paralleling) multiple channels together is not similar to "bridging" and is an exclusive feature due to the unique circuitry of the MC-6. Linking channels together increases the maximum current available and decreases the electrical load of each linked channel. This yields improved electrical and sonic performance, especially under demanding conditions. For example, if channels 1 through 6 are linked together, the result is a single channel with a maximum output current capability equal to the sum of the current capability of channels 1 through 6. When linking channels, performance of the amplifier actually increases as a greater number of channels are linked together. Input and Output Connections Single Channel Monoblock Use Two-Channel, High Current Stereo Use Two-Channel, Vertical Bi-Amplification Use Two-Channel, Vertical Tri-Amplification Use Three-Channel Audio/Video Use Four-Channel, High Current Audio/Video Use Five-Channel Audio/Video Use Six-Channel Audio/Video Use Page 15 Page 17 Page 19 Page 21 Page 23 Page 25 Page 27 Page 29 14 Diagram for Single-Channel Monoblock Configuration Single- Left or Right Channel Preamp Output Channel 1 Input Link 1 to 2 Channel 2 Input Link 2 to 3 Channel 3 Input CH 1 CH 2 Link Outputs of Channels 1 and 2, Channels 2 and 3, Channels 3 and 4, Channels 4 and 5, and Channels 5 and 6: Positive to Positive and Negative to Negative CH 3 Link 3 to 4 Channel 4 Input Link 4 to 5 Channel 5 Input Link 5 to 6 Channel 6 Input CH 4 CH 5 CH 6 Full Range Loudspeaker 15 To Configure the Amplifier for Single-Channel Monoblock Use the Single1 Connect the left or right channel interconnect from your pre3 Using the output terminal linking cables of your choice (see page 14), connect the output binding posts of CHANNEL 1 to CHANNEL 2, CHANNEL 2 to CHANNEL 3, CHANNEL 3 to CHANNEL 4, CHANNEL 4 to CHANNEL 5, and CHANNEL 5 to CHANNEL 6. amp or source component (depending on which channel of operation the amplifier is to be used for) to the CHANNEL 1 balanced XLR or unbalanced RCA input connector. Select the correct balanced or unbalanced input connector by flipping the Channel 1 BAL/UNBAL switch towards the connector that is being used. 4 Connect the corresponding left or right loudspeaker cable to the Channel 6 SPEAKER OUTPUT connector. 2 Flip the LINK INPUT 2 TO 1/UNLINK (NORMAL) switch "ON", or up towards LINK INPUT 2 TO 1. Flip the LINK INPUT 3 TO 2/UNLINK (NORMAL) switch "ON", or up towards LINK INPUT 3 TO 2. Flip the LINK INPUT 4 TO 3/UNLINK (NORMAL) switch "ON", or up towards LINK INPUT 4 TO 3. Flip the LINK INPUT 5 TO 4/UNLINK (NORMAL) switch "ON", or up towards LINK INPUT 5 TO 4. Flip the LINK INPUT 6 TO 5/UNLINK (NORMAL) switch "ON", or up towards LINK INPUT 6 TO 5. The signal connections are now complete. Please recheck your connections before operating the amplifier. 16 Diagram for Two-Channel Stereo, High Current Configuration Two- Left Channel Preamp Output Channel 1 Input Link 1 to 2 Channel 2 Input Link 2 to 3 Channel 3 Input CH 1 Link Outputs of Channels 1 and 2 and Channels 2 and 3, Positive to Positive and Negative to Negative CH 2 CH 3 Full Range Loudspeaker Link 3 to 4 Channel 4 Input Link 4 to 5 Channel 5 Input Link 5 to 6 Right Channel Preamp Output Channel 6 Input CH 4 Link Outputs of Channels 4 and 5 and Channels 5 and 6, Positive to Positive and Negative to Negative. CH 5 CH 6 Full Range Loudspeaker 17 To Configure the Amplifier for Two-Channel Stereo, High Current Use TwoHigh 1 Connect the left channel interconnect from your pre-amp or 4 Using the output terminal linking cables of your choice (see page 14), connect the output binding posts of CHANNEL 1 to CHANNEL 2 and CHANNEL 2 to CHANNEL 3. 14), connect the output binding posts of CHANNEL 6 to CHANNEL 5 and CHANNEL 5 to CHANNEL 4. OUTPUT connector. source component to the CHANNEL 1 balanced XLR or unbalanced RCA input connector. Select the correct balanced or unbalanced input connector by flipping the Channel 1 BAL/UNBAL switch towards the connector that is being used. source component to the CHANNEL 6 balanced XLR or unbalanced RCA input connector. [. . . ] Select the correct balanced or unbalanced input connector by flipping the Channel 1 BAL/UNBAL switch towards the connector that is being used. or source component to the CHANNEL 6 balanced XLR or unbalanced RCA input connector. Select the correct balanced or unbalanced input connector by flipping the Channel 6 BAL/UNBAL switch towards the connector that is being used. source component to the CHANNEL 2 balanced XLR or unbalanced RCA input connector. [. . . ]