Detailed instructions for use are in the User's Guide.
[. . . ] Immediately stop playing and consult a doctor if you experience any of these symptoms. Parents should watch for or ask their children about the above symptoms -- children and teenagers are more likely than adults to experience these seizures. The risk of photosensitive epileptic seizures may be reduced by sitting farther from the television screen, using a smaller television screen, playing in a well-lit room, and not playing when you are drowsy or fatigued. If you or any of your relatives have a history of seizures or epilepsy, consult a doctor before playing. [. . . ] Stand in front of the food or beverage, open the inventory and select the required syringe. Use to aim the crosshair at the food or beverage, and pull to poison the item.
When out of danger, press again to knock the human shield unconscious, or press to push the human shield to the floor once his usefulness is over.
A
Y
JUMPER
The professional can use the veil of suicide when offered a huge height and a target. When you're close enough, pull or railing.
r
R
r
to push the mark over a ledge
Note: The professional will use any means at his disposal to gain the strategic advantage required to successfully execute his contract.
HUMAN SHIELD
When backed into a corner, the professional must take every advantage to safeguard his exit from the scene; this may mean using a human life as a protective shield. Equip a concealable firearm from inventory, then approach the victim from behind and press to grab the mark and use him as a human shield.
A
10
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CLIMBING DRAIN PIPES
Approach the drainpipe, then push toward it to automatically climb onto it. Pull to drop off the drain pipe.
AGILITY
TRAVERSING THE ENVIRONMENT
The professional looks for the most anonymous path through the environment and will exhaust all possible avenues of access to the mark in preparation for a contract.
L
l
CLIMBING & SCALING
JUMPING WALLS
Using , first approach the wall, then push forward toward it to automatically jump it.
CLIMBING LADDERS
Approach the ladder, then push toward it to automatically climb onto it. Pull to drop off the ladder.
L
l
L
JUMPING BALCONIES
Using , approach the balcony, then push forward toward the edge to automatically jump across it.
L
SUBTERFUGE TECHNIQUES
DISGUISES & CONCEALMENT
The professional will often apply subterfuge techniques to evade detection and introduce the element of surprise to an unsuspecting mark.
CLIMBING THROUGH WINDOWS
Using , approach the open window, then push forward toward it to automatically climb through.
DISGUISES
The professional seeks anonymity on a contract, acquiring disguises from rooms and changing areas, and opportunistically from the people wearing them. Disguises allow the professional to infiltrate and move undetected through areas of high security. Similarly, when dressed as a worker, the professional carries the tools of that profession and can use them as weapons without raising suspicion. For example, as a workman the professional will carry hammers and nail guns; as a gardener he will carry shears; and so on. Approach the locked door and press and open the door.
SURVEILLANCE & COMMUNICATION TECHNIQUES
Knowledge is integral to the professional's survival. Every detail is meticulously researched so that all possible scenarios, exits and escape routes are thoroughly explored.
A to equip the key card
14
BREAKING LOCKS
Things occasionally go wrong on a job and the professional needs to gain quick entry to an area without time to use a lock pick. For example, when in a kitchen, the professional notices the gas burner and its explosive potential. He weighs every opportunity and makes the hit look like a freak accident whenever possible.
BINOCULARS
The professional's best tool for surveillance work. Binoculars provide an excellent tool for surveying and spying on the mark's behavioral patterns from safe distances.
MISSION BRIEFING
The professional carries the mission briefing throughout the contract so that he can refer to objectives and mark information at will and leave nothing to chance.
REMOTE BOMBS
The remote bomb is another useful tool which the professional can plant in a mark's room and then detonate from a safe distance. The professional uses explosives intelligently and strategically to eliminate the mark.
MAPS
Detailed maps and intelligence are paramount to the success of a contract. The map's attention to detail ensures that he never gets lost and that detailed intelligence on guards, security and the mark's location are always at his fingertips. The professional can buy additional info and intel on more complicated jobs to ensure that everything goes smoothly. This additional data is always included on the map.
18
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WEAPONS & TOOLS
The professional often elects to purchase upgrades in the form of specialized weapons. These weapons are always untraceable, so they have to be ordered through a trusted fence before purchase. The professional chooses the highest-quality tools and weapons on the market: · ADVANCED LOCK PICKS Allows the professional to pick locks faster; allows access to key-carded doors without the relevant key card; requires additional time. Incremental zoom, with better overall vision capabilities and digital distance counter. Provide a small health boost.
COMPENSATION
PAYMENT
The professional takes payment in unmarked bills, which he can easily transfer to an offshore bank account, avoiding detection. [. . . ] Kenna Mark Klastorin Celestino Lancia Noah Lazarus Micheal Lindsay Deborah Marlowe Jennifer Martin Don Mathews Vivienne McKee Jim Meskinen Ennis Morris Bob Neches Byrne Offutt
Jeremy C. Petreman Carlos Reig Plaza Billy Pope Earth Miller Bernard Reeves Sam Riegel Daniel Riordan Paul Rugg Sam Sako Pete Scherer Karen Strassman Mathew Stravitz Miles Stroth Jim Thornton Trey Turner Sal Viscuso Wade Williams Laura J. K. Wrang
CEO & President, Eidos North America
Bill Gardner
Channel Marketing Project Manager
Diane Eng
CS Supervisor
Sean McCloskey
CS Agents
Adam Braswell Richard Campbell
Executive Vice President of Marketing & Sales
Robert Lindsey
Channel Marketing Coordinator
Rafal Dudziec
Senior QA Technician
Stephen Cavoretto
Vice President, Legal & Business Affairs
James O'Riordan
Director of Marketing Communications
Stephanie Lipetzky
Assistant Lead QA Technician
Richard Hartzell
Vice President, Finance
Malcolm Dunne
Creative Services Project Manager
Eileen Buenviaje
Quality Assurance
Katie Bieringer Richard Campbell Nicholas Cooprider Ergin Dervisoglu Kip Ernst Stephanie Greer John Hayes Mackenzie Hume Nick Jacobson Aaron Keillor Erik Kennedy Chester Lee Jeff Lowe Joshua Pfeiffer
Vice President, Human Resources
Edie Dykstra
Media Specialist
Micheal Tran
Voice Recording Studio (US)
Studiopolis
Marketing Manager
Jefferson Dong
Graphic Designer
James Song
Mocap Actors
Christopher (Jack) Corcoran, Tina Robinson, Bo Thomas, Jamie Treacher
Public Relations Director
Michelle Seebach Curran
Web Producer
Roderick Van Gelder
Public Relations Manager
Tali Fischer
Web Designer
John Lermer
Cellist
Helle Sørensen
Online Public Relations Specialist
Matt Dahlgren
Operations Manager
Gregory Wu
Additional Artwork
Supplied by Mine Loader Software Co. , Ltd.
Senior External Producer
Nick Goldsworthy
Special Thanks
Jordan Romaidis, Patrick Goodspeed, Annie Meltzer, Sean Mylett, Petrol Advertising, Shane Francis Co. , Danny Jiang, Susan Kwon, Jason Bergquist, Hanshaw Ink & Image
National Sales Manager
Joe Morici
Associate Project Manager
Clayton Palma
Channel Marketing Manager
Janty Sumimoto
QA/CS Manager
Mark Cartwright
Senior Channel Marketing Specialist
Ilana Budanitsky
EIDOS U. K.
CEO
Jane Cavanagh
Creative Development Director
Patrick O'Luanaigh
QA Lead Technicians
David Haddon Germaine Mendes Shams Wahid
Commercial Director
Bill Ennis
Head of Global Brand
Larry Sparks
MUSIC CREDITS
Music sourced by
"Double Trouble" Performed by John Mayall's Bluesbreakers Courtesy of The Decca Record Company Ltd Licensed by kind permission from the Film & TV licensing division. Appears by kind permission of Chrysalis Music and The Echo Label (P) & (C) The Echo Label Limited 2004 Taken from the album Band From World War Zero Published by Zenith Publishing Ltd. [. . . ]