User manual GAMES MICROSOFT XBOX UFC TAPOUT

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[. . . ] Immediately stop playing and consult a doctor if you experience any of these symptoms. Parents should watch for or ask their children about the above symptoms -- children and teenagers are more likely than adults to experience these seizures. The risk of photosensitive epileptic seizures may be reduced by sitting farther from the television screen, using a smaller television screen, playing in a well-lit room, and not playing when you are drowsy or fatigued. If you or any of your relatives have a history of seizures or epilepsy, consult a doctor before playing. [. . . ] Stand in front of the food or beverage, open the inventory and select the required syringe. Use to aim the crosshair at the food or beverage, and pull to poison the item. When out of danger, press again to knock the human shield unconscious, or press to push the human shield to the floor once his usefulness is over. A Y JUMPER The professional can use the veil of suicide when offered a huge height and a target. When you're close enough, pull or railing. r R r to push the mark over a ledge Note: The professional will use any means at his disposal to gain the strategic advantage required to successfully execute his contract. HUMAN SHIELD When backed into a corner, the professional must take every advantage to safeguard his exit from the scene; this may mean using a human life as a protective shield. Equip a concealable firearm from inventory, then approach the victim from behind and press to grab the mark and use him as a human shield. A 10 11 CLIMBING DRAIN PIPES Approach the drainpipe, then push toward it to automatically climb onto it. Pull to drop off the drain pipe. AGILITY TRAVERSING THE ENVIRONMENT The professional looks for the most anonymous path through the environment and will exhaust all possible avenues of access to the mark in preparation for a contract. L l CLIMBING & SCALING JUMPING WALLS Using , first approach the wall, then push forward toward it to automatically jump it. CLIMBING LADDERS Approach the ladder, then push toward it to automatically climb onto it. Pull to drop off the ladder. L l L JUMPING BALCONIES Using , approach the balcony, then push forward toward the edge to automatically jump across it. L SUBTERFUGE TECHNIQUES DISGUISES & CONCEALMENT The professional will often apply subterfuge techniques to evade detection and introduce the element of surprise to an unsuspecting mark. CLIMBING THROUGH WINDOWS Using , approach the open window, then push forward toward it to automatically climb through. DISGUISES The professional seeks anonymity on a contract, acquiring disguises from rooms and changing areas, and opportunistically from the people wearing them. Disguises allow the professional to infiltrate and move undetected through areas of high security. Similarly, when dressed as a worker, the professional carries the tools of that profession and can use them as weapons without raising suspicion. For example, as a workman the professional will carry hammers and nail guns; as a gardener he will carry shears; and so on. Approach the locked door and press and open the door. SURVEILLANCE & COMMUNICATION TECHNIQUES Knowledge is integral to the professional's survival. Every detail is meticulously researched so that all possible scenarios, exits and escape routes are thoroughly explored. A to equip the key card 14 BREAKING LOCKS Things occasionally go wrong on a job and the professional needs to gain quick entry to an area without time to use a lock pick. For example, when in a kitchen, the professional notices the gas burner and its explosive potential. He weighs every opportunity and makes the hit look like a freak accident whenever possible. BINOCULARS The professional's best tool for surveillance work. Binoculars provide an excellent tool for surveying and spying on the mark's behavioral patterns from safe distances. MISSION BRIEFING The professional carries the mission briefing throughout the contract so that he can refer to objectives and mark information at will and leave nothing to chance. REMOTE BOMBS The remote bomb is another useful tool which the professional can plant in a mark's room and then detonate from a safe distance. The professional uses explosives intelligently and strategically to eliminate the mark. MAPS Detailed maps and intelligence are paramount to the success of a contract. The map's attention to detail ensures that he never gets lost and that detailed intelligence on guards, security and the mark's location are always at his fingertips. The professional can buy additional info and intel on more complicated jobs to ensure that everything goes smoothly. This additional data is always included on the map. 18 19 WEAPONS & TOOLS The professional often elects to purchase upgrades in the form of specialized weapons. These weapons are always untraceable, so they have to be ordered through a trusted fence before purchase. The professional chooses the highest-quality tools and weapons on the market: · ADVANCED LOCK PICKS Allows the professional to pick locks faster; allows access to key-carded doors without the relevant key card; requires additional time. Incremental zoom, with better overall vision capabilities and digital distance counter. Provide a small health boost. COMPENSATION PAYMENT The professional takes payment in unmarked bills, which he can easily transfer to an offshore bank account, avoiding detection. [. . . ] Kenna Mark Klastorin Celestino Lancia Noah Lazarus Micheal Lindsay Deborah Marlowe Jennifer Martin Don Mathews Vivienne McKee Jim Meskinen Ennis Morris Bob Neches Byrne Offutt Jeremy C. Petreman Carlos Reig Plaza Billy Pope Earth Miller Bernard Reeves Sam Riegel Daniel Riordan Paul Rugg Sam Sako Pete Scherer Karen Strassman Mathew Stravitz Miles Stroth Jim Thornton Trey Turner Sal Viscuso Wade Williams Laura J. K. Wrang CEO & President, Eidos North America Bill Gardner Channel Marketing Project Manager Diane Eng CS Supervisor Sean McCloskey CS Agents Adam Braswell Richard Campbell Executive Vice President of Marketing & Sales Robert Lindsey Channel Marketing Coordinator Rafal Dudziec Senior QA Technician Stephen Cavoretto Vice President, Legal & Business Affairs James O'Riordan Director of Marketing Communications Stephanie Lipetzky Assistant Lead QA Technician Richard Hartzell Vice President, Finance Malcolm Dunne Creative Services Project Manager Eileen Buenviaje Quality Assurance Katie Bieringer Richard Campbell Nicholas Cooprider Ergin Dervisoglu Kip Ernst Stephanie Greer John Hayes Mackenzie Hume Nick Jacobson Aaron Keillor Erik Kennedy Chester Lee Jeff Lowe Joshua Pfeiffer Vice President, Human Resources Edie Dykstra Media Specialist Micheal Tran Voice Recording Studio (US) Studiopolis Marketing Manager Jefferson Dong Graphic Designer James Song Mocap Actors Christopher (Jack) Corcoran, Tina Robinson, Bo Thomas, Jamie Treacher Public Relations Director Michelle Seebach Curran Web Producer Roderick Van Gelder Public Relations Manager Tali Fischer Web Designer John Lermer Cellist Helle Sørensen Online Public Relations Specialist Matt Dahlgren Operations Manager Gregory Wu Additional Artwork Supplied by Mine Loader Software Co. , Ltd. Senior External Producer Nick Goldsworthy Special Thanks Jordan Romaidis, Patrick Goodspeed, Annie Meltzer, Sean Mylett, Petrol Advertising, Shane Francis Co. , Danny Jiang, Susan Kwon, Jason Bergquist, Hanshaw Ink & Image National Sales Manager Joe Morici Associate Project Manager Clayton Palma Channel Marketing Manager Janty Sumimoto QA/CS Manager Mark Cartwright Senior Channel Marketing Specialist Ilana Budanitsky EIDOS U. K. CEO Jane Cavanagh Creative Development Director Patrick O'Luanaigh QA Lead Technicians David Haddon Germaine Mendes Shams Wahid Commercial Director Bill Ennis Head of Global Brand Larry Sparks MUSIC CREDITS Music sourced by "Double Trouble" Performed by John Mayall's Bluesbreakers Courtesy of The Decca Record Company Ltd Licensed by kind permission from the Film & TV licensing division. Appears by kind permission of Chrysalis Music and The Echo Label (P) & (C) The Echo Label Limited 2004 Taken from the album Band From World War Zero Published by Zenith Publishing Ltd. [. . . ]

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